Before the influx of visitors that force the organizers of the exhibition to allow the public to enter in dribs and drabs, Gilbert Caty, also known as René d’Azur, improvises a street performance in tune with the pieces he is exhibiting. Masked, dressed in military fatigues, a ruffled shirt and a kalambé, a traditional Amazonian cloth, he catches women by his pinky using his Amazonian woman-puller.