Cells 1 and 2, produced outside in 1975 and 1977, are intended for people. Yoko Gunji experiments with new protocol for his third cell. The audience is first invited to observe the ceramics and their transformation process from the outside, then he penetrates the tartalan cell, now only forming a single body of live matter and dead matter. Of the three cells produced, this last one is the most fictive, the most hypothetical.