{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EInt\u00e9grale des \u00ab Musiques d\u2019Ameublement \u00bb d\u2019Erik Satie\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003ELe clarinettiste Michel Lethiec et des jeunes musiciens du conservatoire se positionnent en lieu et place des gu\u00e9ridons et pots de plantes de l\u2019ancien mus\u00e9e Matisse. Ils jouent immuablement des cycles de mesures afin de cr\u00e9er une ambiance statique qui assimile la production musicale \u00e0 un simple param\u00e8tre de confort domestique. La musique du futur sera trait\u00e9e dans les int\u00e9rieurs \u00e0  l\u2019\u00e9gale de la chaleur ou de la lumi\u00e8re avait pr\u00e9dit Satie.\u003Cbr \/\u003E\u003Cbr \/\u003ELe public devait avoir un r\u00f4le passif de visiteurs d\u2019appartement. Il devait ignorer les musiciens et les assimiler \u00e0 de simples haut-parleurs. En fait, il s\u2019est pass\u00e9 le contraire.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EMichel Redolfi\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EOrnella Volta\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EOrnella Volta\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EMichel Lethiec\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-serie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ES\u00e9rie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFestival MANCA (Musique Actuelles Nice C\u00f4te d\u2019Azur)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emus\u00e9e\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMus\u00e9e Matisse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E1992\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-structure field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStructure\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECentre International de Recherches Musicales (CIRM)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMichel Redolfi\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E164, avenue des Ar\u00e8nes de Cimiez\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ESortie d\u2019une biographie d\u2019Ornella Volta sur Erik Satie. Donation au festival d\u2019un in\u00e9dit de la s\u00e9rie des Musiques d\u2019Ameublement.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte th\u00e9orique\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EInt\u00e9grale des \u00ab Musiques d\u2019ameublement \u00bb d\u2019Erik Satie. Pr\u00e9sentation par le philosophe et musicologue Daniel Charles de la continuit\u00e9 Satie-Cage.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EMichel Redolfi\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ELib\u00e9ration 29 avril 1992\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3385"}