{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EMes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EPierre Pinoncelli, assist\u00e9 de Jean Claude Farhi et de Alexandre de la Salle, devait r\u00e9aliser un \u003Cem\u003Ehappening\u003C\/em\u003E qui \u00e9tait la suite des \u003Cem\u003ECopulations d\u0027un Chinois \u00e0 Vence\u003C\/em\u003E, dans lequel il ressuscitait. Ils transportent le cercueil et le double de Pinoncelli gisant \u00e0 l\u0027int\u00e9rieur dans les rues de Saint-Tropez et se font arr\u00eater par la police. Ce \u003Cem\u003Ehappening\u003C\/em\u003E a \u00e9t\u00e9 interrompu en cours de r\u00e9alisation par la police, le faux cadavre envoy\u00e9 \u00e0 la morgue.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:368px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002274\u0022 alt=\u0022Le double reposant dans son cercueil.\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022221\u0022 alt=\u0022Le double reposant dans son cercueil.\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022368\u0022 alt=\u0022Le double reposant dans son cercueil.\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022368\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | photographie de la performance \u0022Mes fun\u00e9railles ou Suite des copulations d\u0027un chinois \u00e0 Vence\u0022, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:428px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002286\u0022 height=\u0022100\u0022 alt=\u0022Le double reposant dans son cercueil.\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022257\u0022 height=\u0022300\u0022 alt=\u0022Le double reposant dans son cercueil.\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_02.jpg\u0022 width=\u0022428\u0022 height=\u0022500\u0022 alt=\u0022Le double reposant dans son cercueil.\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022428\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | photographie de la performance \u0022Mes fun\u00e9railles ou Suite des copulations d\u0027un chinois \u00e0 Vence\u0022, 1967 | Le double reposant dans son cercueil. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:177px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002235\u0022 height=\u0022100\u0022 alt=\u0022Le double debout dans la galerie de La Salle\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double debout dans la galerie de La Salle | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022106\u0022 height=\u0022300\u0022 alt=\u0022Le double debout dans la galerie de La Salle\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double debout dans la galerie de La Salle | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/PINO1967_FUNE_PINO_PHOT_03.jpg\u0022 width=\u0022177\u0022 height=\u0022500\u0022 alt=\u0022Le double debout dans la galerie de La Salle\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Le double debout dans la galerie de La Salle | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022177\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | photographie de la performance \u0022Mes fun\u00e9railles ou Suite des copulations d\u0027un chinois \u00e0 Vence\u0022, 1967 | Le double debout dans la galerie de La Salle | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Ferrero | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPierre Pinoncelli\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPierre Pinoncelli\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPierre Pinoncelli\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Erue\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E26 08 1967\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022premise\u0022\u003Edevant le bar restaurant S\u00e9n\u00e9quier\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ESaint Tropez\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESources bibliographiques\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ein catalogue \u003Cem\u003EA propos de Nice\u003C\/em\u003E, Centre Pompidou, 1977, p. 23\u003Cbr \/\u003E in plaquette \u003Cem\u003EMourir \u00e0 P\u00e9kin\u003C\/em\u003E, Pierre Pinoncelli, 1974\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESite internet\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/membres.multimania.fr\/pinoncelli\/\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/membres.multimania.fr\/pinoncelli\/\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:216px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/PINO1967_FUNE_ALOC_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002272\u0022 alt=\u0022Tract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Tract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Pierre Pinoncelli | courtesy Marcel Alocco\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/PINO1967_FUNE_ALOC_DOCI_01.jpg\u0022 width=\u0022300\u0022 height=\u0022216\u0022 alt=\u0022Tract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Tract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Pierre Pinoncelli | courtesy Marcel Alocco\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/PINO1967_FUNE_ALOC_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022216\u0022 alt=\u0022Tract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Tract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Pierre Pinoncelli | courtesy Marcel Alocco\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022216\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | trace de la performance \u0022Mes fun\u00e9railles ou Suite des copulations d\u0027un chinois \u00e0 Vence\u0022, 1967 | Tract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Pierre Pinoncelli | courtesy Marcel Alocco\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ETract annon\u00e7ant les fun\u00e9railles du Double de Pinoncelli, br\u00fbl\u00e9 \u00e0 Vence, sur le port de Saint-Tropez\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:277px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002292\u0022 alt=\u0022Article relatant l\u0026#039;\u00e9v\u00e9n\u00e8ment publi\u00e9 dans L\u0026#039;Espoir - Nice.\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Article relatant l\u0026#039;\u00e9v\u00e9n\u00e8ment publi\u00e9 dans L\u0026#039;Espoir - Nice. | \u00a9 DR | courtesy Pierre Pinoncelli\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_01.jpg\u0022 width=\u0022300\u0022 height=\u0022277\u0022 alt=\u0022Article relatant l\u0026#039;\u00e9v\u00e9n\u00e8ment publi\u00e9 dans L\u0026#039;Espoir - Nice.\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Article relatant l\u0026#039;\u00e9v\u00e9n\u00e8ment publi\u00e9 dans L\u0026#039;Espoir - Nice. | \u00a9 DR | courtesy Pierre Pinoncelli\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022277\u0022 alt=\u0022Article relatant l\u0026#039;\u00e9v\u00e9n\u00e8ment publi\u00e9 dans L\u0026#039;Espoir - Nice.\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Article relatant l\u0026#039;\u00e9v\u00e9n\u00e8ment publi\u00e9 dans L\u0026#039;Espoir - Nice. | \u00a9 DR | courtesy Pierre Pinoncelli\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022277\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | trace de la performance \u0022Mes fun\u00e9railles ou Suite des copulations d\u0027un chinois \u00e0 Vence\u0022, 1967 | Article relatant l\u0027\u00e9v\u00e9n\u00e8ment publi\u00e9 dans L\u0027Espoir - Nice. | \u00a9 DR | courtesy Pierre Pinoncelli\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-notes field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ENotes\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ein plaquette \u0026lt;em\u0026gt;Mourir \u00e0 P\u00e9kin\u0026lt;\/em\u0026gt;, Pierre Pinoncelli, 1974\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EArticle de L\u0026#039;Espoir, Nice\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:249px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002283\u0022 height=\u0022100\u0022 alt=\u0022Texte de l\u0026#039;article publi\u00e9 dans La Tribune de Lausanne le 24\/09\/1967.\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Texte de l\u0026#039;article publi\u00e9 dans La Tribune de Lausanne le 24\/09\/1967. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_02.jpg\u0022 width=\u0022249\u0022 height=\u0022300\u0022 alt=\u0022Texte de l\u0026#039;article publi\u00e9 dans La Tribune de Lausanne le 24\/09\/1967.\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Texte de l\u0026#039;article publi\u00e9 dans La Tribune de Lausanne le 24\/09\/1967. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022249\u0022 height=\u0022300\u0022 alt=\u0022Texte de l\u0026#039;article publi\u00e9 dans La Tribune de Lausanne le 24\/09\/1967.\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | Texte de l\u0026#039;article publi\u00e9 dans La Tribune de Lausanne le 24\/09\/1967. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022249\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | trace de la performance \u0022Mes fun\u00e9railles ou Suite des copulations d\u0027un chinois \u00e0 Vence\u0022, 1967 | Texte de l\u0027article publi\u00e9 dans La Tribune de Lausanne le 24\/09\/1967. | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-notes field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ENotes\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ein plaquette \u0026lt;em\u0026gt;Mourir \u00e0 P\u00e9kin\u0026lt;\/em\u0026gt;, Pierre Pinoncelli, 1974; Seul est disponible le texte.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EArticle de La Tribune de Lausanne du 24\/09\/1967\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:209px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002270\u0022 alt=\u0022\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_03.jpg\u0022 width=\u0022300\u0022 height=\u0022209\u0022 alt=\u0022\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/PINO1967_FUNE_PINO_PRES_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022209\u0022 alt=\u0022\u0022 title=\u0022Pierre Pinoncelli | trace de la performance \u0026quot;Mes fun\u00e9railles ou Suite des copulations d\u0026#039;un chinois \u00e0 Vence\u0026quot;, 1967 | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022209\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | trace de la performance \u0022Mes fun\u00e9railles ou Suite des copulations d\u0027un chinois \u00e0 Vence\u0022, 1967 | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Echroniques de \u0026quot;L\u0026#039;art vivant\u0026quot;, octobre 1972\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3364"}