{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003E27 avril 1957\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EPr\u00e9paration :\u003Cbr \/\u003EUne salle de spectacle, un petit th\u00e9\u00e2tre avec sc\u00e8ne, ses deux escaliers d\u2019acc\u00e8s aux c\u00f4t\u00e9s, des rang\u00e9es de vieux fauteuils sur m\u00eame niveau. Les interventions se d\u00e9roulent toutes \u00e0 la suite dans une improvisation contr\u00f4l\u00e9e. Elles suivent une liste de noms, tenue par Ben qui nomme chaque intervenant avant action. Les m\u00eames ingr\u00e9dients d\u2019un concert Fluxus. Je serai nomm\u00e9e \u00ab Elisabeth Morellet \u00bb sans lien de parent\u00e9 aucun avec le peintre connu. On d\u00e9placera le micro\u2026 la sc\u00e8ne sera presque vide. Un bouquet de roses rouges dans un vase est pos\u00e9 par Jacques Mi\u00e8ge pour son intervention juste apr\u00e8s. Il \u00ab servira \u00bb symboliquement pour mon anniversaire. Une cassette son (de mauvaise qualit\u00e9 semble-t-il !) est pr\u00eate en r\u00e9gie, ainsi qu\u2019une consigne \u00ab lumi\u00e8re \u00bb. Petit d\u00e9sordre artistique et bonne humeur dans la salle. Ben officie : il lance l\u2019horloge-compteur, pos\u00e9e au devant de sc\u00e8ne. Feu partez !\u003Cbr \/\u003EAction : La bande son est lanc\u00e9e. Ma voix lit rapidement le livret de famille d\u00e9livr\u00e9 \u00e0 mes parents le jour de leur mariage : dates, noms, liens de parent\u00e9 jusqu\u2019\u00e0 l\u2019apparition du nom des enfants\u2026 mais\u2026\u003Cbr \/\u003EJe suis v\u00eatue simplement d\u2019une salopette jean \u00ab unisexe \u00bb avec une poche sur la poitrine, qui contient tous les accessoires de l\u2019action. Pendant que la voix d\u00e9bite son texte, je suivrai, en partant du fond de la sc\u00e8ne, un cheminement pr\u00e9cis, lent et syst\u00e9matique, sur toute sa longueur, de gauche \u00e0 droite, de droite \u00e0 gauche enfin une deuxi\u00e8me fois de gauche \u00e0 droite. Ainsi, je m\u2019approcherai devant la sc\u00e8ne au centre. Durant le temps r\u00e9duit de 2 minutes 33 secondes, je me serai arr\u00eat\u00e9e vingt-quatre fois pour d\u00e9poser au sol, 24 cartons blancs. Ils sont chacun, marqu\u00e9s d\u2019une ann\u00e9e, de 1958 \u00e0 1981. Vingt-quatre ann\u00e9es de ma petite vie survenue gr\u00e2ce \u00e0 la rencontre de mes parents. Troisi\u00e8me fille non attendue, mais fruit de l\u2019amour ! Le spectateur ne conna\u00eetra pas ma place dans ce trio f\u00e9minin car au mot \u00ab ENFANT \u00bb la cassette en r\u00e9gie va s\u2019arr\u00eater\u2026 d\u00e9finitivement\u2026 rumeur amus\u00e9e de la salle. Mouvement de surprise de ma part, mais je repars : les cartons sont maintenant pos\u00e9s sur la sc\u00e8ne dans le silence. Je me fige au centre de la sc\u00e8ne et sors une bougie de ma poche secr\u00e8te, et un briquet. \u00c0 la r\u00e9gie, la \u00ab panique \u00bb occasionn\u00e9e par l\u2019arr\u00eat-cassette retarde l\u2019effet \u00ab obscurit\u00e9 \u00bb souhait\u00e9. La voix de Ben r\u00e9clame \u00ab Baissez la lumi\u00e8re \u00bb. On corrige trop vite. Il reste donc une petite flamme vacillante \u00e9clairant \u00e0 peine un visage f\u00e9minin. Je souffle la bougie de mes 24 ans\u2026 Noir\u2026 Applaudissements\u2026 Lumi\u00e8re. Fin.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u002227 avril 1957\u0022, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_02.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u002227 avril 1957\u0022, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_03.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u002227 avril 1957\u0022, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_04.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u002227 avril 1957\u0022, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_05.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u002227 avril 1957\u0022, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_06.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u002227 avril 1957\u0022, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_AVRI_MORC_PHOT_07.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;27 avril 1957\u0026quot;, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u002227 avril 1957\u0022, 1981 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-serie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ES\u00e9rie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EIdentit\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eth\u00e9\u00e2tre\/caf\u00e9-th\u00e9\u00e2tre\/cin\u00e9ma\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EL\u0026#039;Artistique\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E27 04 1981\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBen\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003Eboulevard Dubouchage\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Elors de la soir\u00e9e 2 minutes 33 de cr\u00e9ation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte th\u00e9orique\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003ECritique :\u003Cbr \/\u003E Petite intervention sans pr\u00e9tention dans un cadre de partage et de divertissement \u00ab s\u00e9rieux \u00bb. Pas d\u2019effet star. Tout le monde peut participer. M\u00eame les non \u00ab artistes \u00bb. Une soir\u00e9e inoubliable.\u003Cbr \/\u003EMa petite action aura tent\u00e9 dans la limite d\u2019un temps donn\u00e9 et r\u00e9duit, de parcourir symboliquement toute une vie. Pour moi, une contrainte propos\u00e9e se meut en r\u00e8gle de jeu et stimule les questionnements de la cr\u00e9ation et du m\u00e9dium utilis\u00e9. Le sujet y r\u00e9pond. Le temps, ici, reprend la question de l\u2019identit\u00e9 et de l\u2019inscription sociale. Fichage de chaque \u00eatre humain d\u00e9s la naissance et appartenance obligatoire \u00e0 des sous ensemble : genre, nation, \u00e2ge\u2026 La question soul\u00e8ve aussi tr\u00e8s implicitement, celle, philosophique de la vie m\u00eame, l\u2019\u00eatre au monde. L\u2019\u00eatre n\u00e9 semblerait n\u2019avoir aucun choix. Il doit suivre le mod\u00e8le culturelle. Aucun choix et, une obligation : celle de vivre. Donner la vie\u2026 Femme sans enfant\u2026 Quand l\u2019art ne cesse de ricocher avec les choix r\u00e9els de l\u2019existence.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\n\n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESite internet\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.art-morcellet.fr\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.art-morcellet.fr\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eint\u00e9gralit\u00e9 de la soir\u00e9e\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMontage noir et blanc, de la performance d\u0027Elisabeth Morcellet lors de la soir\u00e9e 2\u002733 de Cr\u00e9ation \u00e0 l\u0027Artistique\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ERush couleur de la performance d\u0027Elisabeth Morcellet au cours de la soir\u00e9e 2\u002733 de cr\u00e9ation \u00e0 l\u0027Artistique\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\n\u003Cdiv class=\u0022embedded-video\u0022\u003E\n  \u003Cdiv class=\u0022player\u0022\u003E\n    \u003Ciframe class=\u0022\u0022 id=\u0022vimeo-66154178\u0022 width=\u0022550px\u0022 height=\u0022360px\u0022 src=\u0022\/\/player.vimeo.com\/video\/66154178?width=550px\u0026amp;height=360px\u0026amp;color=00adef\u0026amp;portrait=1\u0026amp;title=1\u0026amp;byline=1\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;player_id=vimeo-66154178\u0022 frameborder=\u00220\u0022 webkitAllowFullScreen mozallowfullscreen allowfullscreen\u003E\u003C\/iframe\u003E  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\n        \n\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ECapture vid\u00e9o couleur mont\u00e9e de la Soir\u00e9e \u00222 minutes 33 de cr\u00e9ation\u0022 organis\u00e9e par Ben en 1981 au Th\u00e9\u00e2tre de l\u0027Artistique \u00e0 Nice avec entre autres : Christian Arthaud, Robert \u00c9r\u00e9bo, Pierre Le Pillou\u00ebr, Jean Mas, David Medalla, \u00c9lisabeth Morcellet, Ren\u00e9 Pietropaoli et Serge III.\u003Cbr\u003E\u00a9 DR\u003Cbr\u003ECourtesy Ben\u003Cbr\u003EPortage sur le web r\u00e9alis\u00e9 par la Villa Arson\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECERTIFICAT DE PRESENCE \u00ab  a particip\u00e9 \u00e0 la pi\u00e8ce PUBLIK. \u00bb Formulaire dat\u00e9, rempli par moi. Sign\u00e9 par BEN\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:205px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/MORC1979_SANC_MORC_OBJE_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | trace de la performance \u0026quot;Sanctuaire\u0026quot;, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/MORC1979_SANC_MORC_OBJE_01.jpg\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | trace de la performance \u0026quot;Sanctuaire\u0026quot;, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/MORC1979_SANC_MORC_OBJE_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | trace de la performance \u0026quot;Sanctuaire\u0026quot;, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | trace de la performance \u0022Sanctuaire\u0022, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ETITRE ACTION sur papier Canson\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPLAN : Grande planche (N\u00b09) explicative, carton et cellophane, avec plan, action et gestuelle dans espace, sch\u00e9ma, feutre rouge, noir, bleu\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENOTES dactylographi\u00e9es originales, 2 pages (21 x 29,7cm) avec textes : Projet modifi\u00e9 \u2026 R\u00e9alisation\u2026Code p\u00e9nal \u00ab Usurpation de titre ou de fonction. Article 259 \u00bb\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENOTES explicative dactylographi\u00e9es originales, une page, datant de 1990  avec : Installation\/Action\/Critique pour dossier SPADEM\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab LIVRE ROUGE \u00bb extraits manuscrit dat\u00e9s de F\u00e9vrier 81  \u00e0 Juin 81\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab TEXTES FRAGMENTS DATES \u00bb dactylographi\u00e9s: F\u00e9vrier 81 \u00e0 22 Juin 81\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab TEXTES DATES COMPLETS \u00bb dactylographi\u00e9s : 29 janvier 81\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab TEXTES GENERAUX \u00bb\u0026lt;br \/\u0026gt; a - \u00ab Globalement, Travail artistique \u00bb encre bleue, manuscrit, 10 pages.\u0026lt;br \/\u0026gt; b - \u00ab Lignes g\u00e9n\u00e9rales \u00bb, 5 pages manuscrites. c - \u00ab R\u00e9pertoire \u00bb, 8 pages manuscrites.\u0026lt;br \/\u0026gt; d - \u00ab Normalisation \u00bb 9 juin 81, 1 page manuscrite.\u0026lt;br \/\u0026gt; e - \u00ab Notes sur la performance \u00bb 24 avril 81, 4 pages manuscrites.\u0026lt;br \/\u0026gt; f - \u00ab L\u0026#039;art est un alibi \u00bb  20 Octobre 80, 6 pages manuscrites.\u0026lt;br \/\u0026gt; g - \u00ab Situation personnelle par rapport aux autres pratiques \u00bb 7 pages manuscrites.\u0026lt;br \/\u0026gt; h - \u00ab 3 Points \u00bb : 4 pages manuscrites.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab RECONSTITUTION \u00bb\u0026lt;br \/\u0026gt; a - COLLAGE COUPURES Faits divers justice \u00ab  Au service de la justice \u00bb \u00ab Pendant le jugement \u00bb Individu pendant le jugement \u00bb \u00ab moyens d\u2019enqu\u00eate \u00bb \u00ab sanction inflig\u00e9e \u00bb \u00ab nature du d\u00e9lit \u00bb \u00ab individu pendant le d\u00e9lit \u00bb\u0026lt;br \/\u0026gt; b - COLONNES BLEUES : 2 pages manu class\u00e9es : \u00ab  Structure \u00bb \u00ab Acteurs de la structure \u00bb \u00ab termes employ\u00e9s pendant le jugement \u00bb \u00ab enqu\u00eate \u00bb \u00ab sanction \u00bb \u00ab acte du d\u00e9lit \u00bb acteur du d\u00e9lit \u00bb \u00ab accus\u00e9 \u00bb\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3322"}