{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EAu pied de la lettre\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EPr\u00e9paration :\u003Cbr \/\u003EInstallation d\u2019une mise en sc\u00e8ne, sobre, sous le chapiteau, rouge, bleu ray\u00e9, sur le bas-c\u00f4t\u00e9. Sol de sable, de terre et de gravillons. Des chaises pliantes sont d\u00e9j\u00e0 align\u00e9es, sur le parquet. Elles sont tourn\u00e9es vers une v\u00e9ritable sc\u00e8ne, sur\u00e9lev\u00e9e. Une poign\u00e9e de spectateurs attend le regard tourn\u00e9 de l\u2019autre c\u00f4t\u00e9, un concert. Utiliser le silence. Le rideau de lettre d\u2019amour, sera accroch\u00e9 entre l\u2019installation et les chaises. Limite entre soi et l\u2019autre, cache. Une toile carr\u00e9e blanche sera simplement pos\u00e9e au sol. Elle fera office de sc\u00e8ne. Un v\u00eatement\/toile bleu et un autre rouge, \u00e9tal\u00e9s non loin, par terre, aussi. Un tableau noir sur son pied est plac\u00e9 \u00e0 gauche du carr\u00e9 sc\u00e9nique, avec ses craies. Une paire de ciseaux, un produit d\u00e9maquillant visage, un flacon de dissolvant pour vernis \u00e0 ongles, des carr\u00e9s de toile empil\u00e9s, dissimul\u00e9s. Tout est pr\u00eat.\u003Cbr \/\u003E\u003Cbr \/\u003EAction :\u003Cbr \/\u003EIl n\u2019y aura pas d\u2019annonce. Sur le programme aucune performance n\u2019est annonc\u00e9e. C\u2019est peut-\u00eatre l\u2019heure de la sieste. Il fait chaud. C\u2019est \u00e0 l\u2019ombre dans la lumi\u00e8re rouge du v\u00e9lum. Je commence avec deux, trois personnes qui se \u00ab reposent \u00bb sur les chaises. Le public va s\u2019approcher, grandir peu \u00e0 peu et participer tr\u00e8s vite. Les chaises vont se tourner de mon c\u00f4t\u00e9, les rangs se reformer. L\u2019action sera totalement silencieuse. Peut-\u00eatre faudra-t-il dire quelques mots \u00e0 certains. Tout va commencer avec les lettres. Je vais progressivement couper les fils cousus, prendre une lettre et la donner. Beaucoup de lettres seront distribu\u00e9es. Des enfants r\u00e9clameront. On s\u2019approchera et on demandera. Les gens vont se plonger dans la lecture intime de ces pages. Elles auraient pu \u00eatre \u00e9crites par chacun d\u2019eux, un jour, amoureux, toutes g\u00e9n\u00e9rations confondues. Ils me le diront plus tard. Les lettres distribu\u00e9es, le \u00ab rideau \u00bb entre le public et moi, est ouvert. Le tableau noir est approch\u00e9 en dessous des restes d\u2019accrochage. Je noterai \u00e0 la craie une longue liste de verbes d\u2019action, commen\u00e7ant tous par \u00ab D\u00e9 \u00bb comme \u00ab d\u00e9faire, d\u00e9placer \u00bb\u2026 J\u2019effacerai r\u00e9guli\u00e8rement en laissant soigneusement les carr\u00e9s, chiffon de toile, sur le sol. Des formes de mains se dessinent dans le tissu. Rappel primitif de l\u2019art. Origine des signes. La liste des verbes, s\u2019est \u00e9puis\u00e9e. Je place le tableau (essuy\u00e9), vers l\u2019arri\u00e8re de l\u2019espace. Je reviens avec une premi\u00e8re s\u00e9rie de \u00ab questionnaires \u00bb : \u00ab Quels sentiments me portez-vous \u2026 \u00bb que je distribue dans le public. Alors, enfin je proc\u00e8derai au d\u00e9maquillage. Commencer par le vernis \u00e0 ongles rouge et le dissolvant. J\u2019utilise des carr\u00e9s de toile vierge comme autant de micro peinture. La couleur s\u2019inscrit sur les linges. Ils s\u2019\u00e9talent, se rangent sur le sol, petit \u00e0 petit. Puis ce sera le visage. J\u2019utilise un d\u00e9maquillant cr\u00e8me sur la peau. J\u2019applique d\u00e9licatement les linges pour plusieurs \u00ab empreintes \u00bb qui deviennent sur la toile de plus en plus invisible. Les \u00ab suaires \u00bb et les \u00ab voiles de V\u00e9ronique \u00bb rejoignent les autres carr\u00e9s de toile marqu\u00e9s. Ils s\u2019exposent sur le sol.\u003Cbr \/\u003EJe distribue ensuite, un deuxi\u00e8me \u00ab questionnaire \u00bb : \u00ab Que faites-vous ici\u2026 \u00bb. Le public joue le jeu. Il regarde et commente par \u00e9crire. Les spectateurs sont nombreux maintenant.\u003Cbr \/\u003EJe me dirige vers le grand carr\u00e9 de toile au sol, ma \u00ab sc\u00e8ne \u00bb. Je m\u2019y asseois et d\u00e9tache lentement les liens de mon v\u00eatement. Je suis maintenant nue. Je me rel\u00e8ve et arrange soigneusement \u00e0 plat le rectangle du v\u00eatement. Je pars vers la toile\/v\u00eatement bleue pos\u00e9e au sol. Je glisse ma t\u00eate et me retrouve \u00e0 nouveau v\u00eatue. C\u2019est fini.\u003Cbr \/\u003E\u003Cbr \/\u003EUne suite d\u2019actions avec Jacques :\u003Cbr \/\u003EApr\u00e8s cela, quand les gens retournaient \u00ab dehors \u00bb, ils se trouvaient face \u00e0 Jacques Mi\u00e8ge qui faisait son action \u00ab sentimentale \u00bb, aussi. Il offrait simplement une rose rouge. Mais avant de la donner, il la passait \u00e0 la moulinette et l\u2019emballait dans un sac en plastique conditionn\u00e9. Puis il offrait \u00ab sa \u00bb rose aux dames\u2026\u003Cbr \/\u003ELe concert attendu a commenc\u00e9 pendant ma performance et puis, s\u2019est tr\u00e8s vite arr\u00eat\u00e9. Le public a suivi dans le silence mon action. Les questionnaires m\u2019ont \u00e9t\u00e9 rendus remplis. Dans la soir\u00e9e on voyait encore des personnes, lisant mes lettres.\u003Cbr \/\u003EConclusion: Je trouve ce travail toujours fou et juste \u00e0 la fois. Aucun regret. J\u2019ai toujours eu envie de retourner \u00e0 Lantosque. J\u2019aimerais savoir si un souvenir est rest\u00e9 de cette action.\u003Cbr \/\u003EM\u00e9moire ou r\u00e9alit\u00e9 transform\u00e9e. Revoir ce village, faire une enqu\u00eate : c\u2019est une id\u00e9e qui demeure en moi. Frapper aux portes, parler aux gens. Demander s\u2019il reste des lettres, quelque part, cach\u00e9es, dans un tiroir. Peut-\u00eatre aura-t-on transmis, d\u00e9form\u00e9, l\u2019histoire. Je trouve cette action touchante et pure. C\u2019est le v\u00e9cu qui prime. La vie seule compte. \u00ab L\u2019\u0153uvre d\u2019art \u00bb comme une plante qui pousse, grandit, meurt ou fait des fruits, lentement, lentement. Elle travaille avec et sur le temps, dans chaque instant pr\u00e9sent. Je crois \u00e0 l\u2019effet papillon. Un rien peut changer beaucoup. C\u2019est l\u2019accident ! L\u2019art rencontr\u00e9 sur sa route comme une histoire d\u2019amour qui commence. La cr\u00e9ation et l\u2019\u00e9tat amoureux ne font qu\u2019un, se ressemblent. Cela ne s\u2019arr\u00eate jamais. C\u2019est un \u00e9tat d\u2019\u00eatre au monde.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_02.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_03.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_04.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_05.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_06.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_07.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_08.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_08.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_08.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_09.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_09.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_09.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_10.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_10.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_10.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_11.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_11.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_11.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_12.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_12.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_12.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_13.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_13.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_13.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_14.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_14.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_14.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_15.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_15.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1980_LETT_MORC_PHOT_15.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Au pied de la lettre\u0026quot;, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Au pied de la lettre\u0022, 1980 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-serie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ES\u00e9rie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ESentimentalit\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00e0 la campagne\/village\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E31 07 1980\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBarney Wilen\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EJacques Lepage\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ELantosque\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFestival de musique organis\u00e9 par Barney Wilen avec participants de tout bord,  tout style, toute notori\u00e9t\u00e9. Jazz, rock, classique, folk\u2026.avec quelques artistes contemporains invit\u00e9s par le critique d\u0027art Jacques Lepage. Un chapiteau, des sc\u00e8nes ouvertes pour musicien, un apr\u00e8s-midi, dans l\u2019arri\u00e8re pays ni\u00e7ois.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte th\u00e9orique\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003ELa difficult\u00e9 omnipr\u00e9sente de faire exister l\u2019art contemporain dans des ambiances de concert. L\u2019univers silencieux des plasticiens peine \u00e0 s\u2019imposer avec le son, le gros mat\u00e9riel et les r\u00e9p\u00e9titions. Trouver une plage pour pr\u00e9senter une action inattendue. Une premi\u00e8re fois avec un r\u00e9el public hors de l\u2019\u00e9cole, et, non averti.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\n\n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESite internet\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.art-morcellet.fr\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.art-morcellet.fr\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAFFICHE\/TRACT jaune, (21 x 29,7) originale titr\u00e9e \u00ab  FESTIVAL OUVERT DE LANTOSQUE \u00bb avec verso : plan du village et des manifestations, au recto de ma main : Horaire festivit\u00e9s musicales.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECOPIE\/TRACT, encre violette avec tableau \u00e9v\u00e8nement \u00e0 Lantosque et \u00e0 P\u00e9lasque (sans info sur artistes plasticiens )\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPHOTOCOPIES (2) montage d\u2019\u00e9poque, n\/b, premier press-book avec photos et textes manuscrits (+ 5 copie photos)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E2 AFFICHES FESTIVAL LANTOSQUE noir et gris, recto verso\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecoupure jaunie avec traces de colle, du journal \u00ab Nice-Matin \u00bb Aout 81, une photo.Coll\u00e9 sur support cartonn\u00e9, recouvert d\u2019un papier de protection 2- (31 x 20,5cm) coupure jaunie avec traces de colle, du journal \u00ab Le Patriote C\u00f4te d\u0026#039;Azur \u00bb Ao\u00fbt 81, trois photos de musiciens,  titr\u00e9e  \u00ab Du 29 Juillet au 1 Aout LE FESTIVAL OPEN DE LANTOSQUE \u00bb coll\u00e9 sur support cartonn\u00e9  32 x 23cm, recouvert d\u2019un papier de protection. (malle)  1 COPIE ARTICLE PRESSE(chemise)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecoupure jaunie avec traces de colle, du journal \u00ab Le Patriote C\u00f4te d\u0026#039;Azur \u00bb Ao\u00fbt 81, trois photos de musiciens. Coll\u00e9 sur support cartonn\u00e9, recouvert d\u2019un papier de protection\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECOPIE ARTICLE PRESSE\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:205px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/MORC1979_SANC_MORC_OBJE_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | trace de la performance \u0026quot;Sanctuaire\u0026quot;, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/MORC1979_SANC_MORC_OBJE_01.jpg\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | trace de la performance \u0026quot;Sanctuaire\u0026quot;, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/MORC1979_SANC_MORC_OBJE_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | trace de la performance \u0026quot;Sanctuaire\u0026quot;, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | trace de la performance \u0022Sanctuaire\u0022, 1979 | \u00a9 DR | courtesy Elisabeth Morcellet\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ETITRE ACTION sur papier Canson\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPLAN : Grande planche (N\u00b06) explicative, carton et cellophane, avec plan, action et gestuelle dans espace, sch\u00e9ma, crayons couleurs et feutres\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENOTES dactylographi\u00e9es originales, quatre pages avec d\u00e9tails action 25.07.08, 4 croquis, liste mot inscrit au tableau, texte janvier 1980. Copies 6 pages (Julia chemise)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENOTES explicative dactylographi\u00e9es originales, une page, datant de 1990 avec : Situation\/ Installation\/Action\/Critique pour dossier SPADEM\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EDICTIONNAIRE MANUSCRIT AVEC LISTE originale, 17 pages avec verbe commen\u00e7ant par \u00ab D\u00e9 \u00bb\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENOTES LECTURES\/IDEES\u2026 JRP N\u00b0 7 (29.08.78\/04.79). Derrida La v\u00e9rit\u00e9 en peinture\u2026Restitutions . JRP N\u00b0 8 (12.05.79\/12\/04.80 : Objets du f\u00e9tichisme\u2026..Gina Pane la femme peinte\u2026.. D\u00e9tour autour de courbes G. Lascault : Noeuds.....\u201dTraverses\u201d Maquiller.....Otto Rank Le traumatisme de la naissance.....Pieer Paul Lacas \u201cMusique, violence et ransgression\u201d....P. Bruckner et A. Finkielkraut \u201cLe nouveau d\u00e9sordre amoureux\u201d ...J.R.P. N\u00b09 (19\/06\/80\/ 04\/81  1983\/1993\/2008) ...Art Sociologique Herv\u00e9 Fisher Conscience sociale....Derrida \u201c Eperons des styles\u201d.....\u201dLa jouissance et la loi\u201d .... Gille Deleuze \u201cR\u00e9p\u00e9tion et Diff\u00e9rence\u201d ....Proust \u201cA l\u2019ombre des jeunes filles en fleurs\u201d.....(JRP)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab RECONSTITUTION \u00bb\u0026lt;br \/\u0026gt; a - \u00ab Action reconstitution \u00bb 15 janvier 81 : 3 pages manusrite, encre noire.\u0026lt;br \/\u0026gt; b - \u00ab Action de la Reconstitution \u00bb : 1 page manuscrite.\u0026lt;br \/\u0026gt; c - \u00ab Questionnaire\/Guide\/T\u00e9moignage \u00bb 1 page avec 8 ou 9 questions pour interview sur action.\u0026lt;br \/\u0026gt; d - \u00ab 19 Janvier 81 \u00bb  3 pages, liste des t\u00e9moins \u00e0 l\u2019action, 8 noms connus.\u0026lt;br \/\u0026gt; e - TEMOIGNAGE D\u2019ACTION : interview de  Pascal Simonpi\u00e9tri, n\u00e9 le 30.05.58, retranscrites en 3 pages manuscrites\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab LIVRE ROUGE \u00bb extraits manuscrits : du 5 Juillet au 24 Juillet 80\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab TEXTES FRAGMENTS DATES \u00bb manuscrits, du 5 Juillet au 24 Juillet 80\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab TEXTES GENERAUX \u00bb\u0026lt;br \/\u0026gt; a - \u00ab Globalement, Travail artistique \u00bb encre bleue, manuscrit, 10 pages.\u0026lt;br \/\u0026gt; b - \u00ab Lignes g\u00e9n\u00e9rales \u00bb, 5 pages manuscrites. c - \u00ab R\u00e9pertoire \u00bb, 8 pages manuscrites.\u0026lt;br \/\u0026gt; d - \u00ab Normalisation \u00bb 9 juin 80, 1 page manuscrite.\u0026lt;br \/\u0026gt; e - \u00ab Notes sur la performance \u00bb 24 avril 81, 4 pages manuscrites.\u0026lt;br \/\u0026gt; f - \u00ab 20 Octobre 80 \u00bb 5 pages manuscrites.\u0026lt;br \/\u0026gt; g - \u00ab Situation personnelle par rapport aux autres pratiques \u00bb 7 pages manuscrites.\u0026lt;br \/\u0026gt; h - \u00ab 3 Points \u00bb : 4 pages manuscrites.\u0026lt;br \/\u0026gt; i - \u00ab Il est mortel \u00bb : 5 pages manuscrites.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMontage collage, textes manuscrits : 1979\/1980, 1 page\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECOMPTE-RENDU DACTYLOGRAPHIE de performance par le critique Jacques Lepage, 2 PAGES copies d\u2019\u00e9poques avec Nom\/ Description\/Remarques\/Conclusions\u0026lt;br \/\u0026gt; a- 2 pages envoy\u00e9es par Jacques Lepage\u0026lt;br \/\u0026gt; b- 2 pages envoy\u00e9es par Ben Vautier avec au dos \u00e9crit par lui : \u00ab Abonne-toi \u00e0 Scribouill\u2019art \u00bb\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3318"}