{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ELe miroir \u00e9l\u00e9ctronique\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cem\u003ECopie du texte du communiqu\u00e9 de presse\u003C\/em\u003E\u003Cbr \/\u003E L\u2019artiste hollandais Bob Lens est \u00e0 l\u2019initiative du \u201cbureau br\u00eame\u201d \/ \u201cburo bremen\u201d, station de network qui propose l\u2019organisation d\u2019une trilogie d\u2019expositions intermedia se d\u00e9roulant du 3 f\u00e9vrier 1995 au 16 juin 1995 \u00e0 la Galerie Cornelius hertz - breme. \u003Cbr \/\u003E \u003Cbr \/\u003E A cette occasion, l\u2019artiste n\u00e9erlandais a demand\u00e9 \u00e0 Jean-No\u00ebl Laszlo, artiste de communication, de r\u00e9aliser une \u0153uvre r\u00e9pondant au premier th\u00e8me des trois th\u00e8mes soit : le miroir (du 3 f\u00e9vrier au 10 mars 1995). \u003Cbr \/\u003E \u003Cbr \/\u003E Le miroir \u00e9tant un objet qui renvoie l\u2019image qu\u2019on lui propose, Jean-No\u00ebl Laszlo a imagin\u00e9 plusieurs \u201cpoint de vues\u201d de la th\u00e9matique, en proposant au public de s\u2019immiscer dans l\u2019espace et le temps de retour de l\u2019image initialement envoy\u00e9e au miroir \u00e9lectronique, et ce, au travers d\u2019un dispositif r\u00e9fl\u00e9chissant lui-m\u00eame le vernissage et la cl\u00f4ture de l\u2019exposition. \u003Cbr \/\u003E \u003Cbr \/\u003E Le 3 f\u00e9vrier 1995 (date du vernissage de l\u2019exposition \u00e0 Br\u00eame), au moyen de quatre t\u00e9l\u00e9copieurs, dont deux seront install\u00e9s \u00e0 Nice et deux \u00e0 Br\u00eame (rfa), l\u2019artiste jouera avec la synchronisation de l\u2019envoi d\u2019une image au miroir \u00e9lectronique et de la r\u00e9ponse de ce dernier ; ainsi le public pourra constater de visu, l\u2019\u00e9mission d\u2019un document sur un t\u00e9l\u00e9copieur et simultan\u00e9ment la r\u00e9ception sur un second appareil. \u003Cbr \/\u003E Le 10 mars 1995 (date de la cl\u00f4ture de l\u2019exposition \u00e0 Br\u00eame), Jean-No\u00ebl Laszlo jouera sur la possibilit\u00e9 d\u2019intervention entre les Temps d\u2019\u00e9mission et de r\u00e9ception de l\u2019image par le miroir \u00c9lectronique. Pour que le jeu soit plus complet, l\u2019artiste se transportera \u00e0 la Galerie Galea (la Farl\u00e8de).\u003Cbr \/\u003E \u003Cbr \/\u003E Cette manifestation qui s\u2019inscrit dans le cadre du s\u00e9minaire de Fred forest: \u201cart - nouvelles technologies - sciences\u201d, universit\u00e9 De Nice - Sophia Antipolis, illustre bien le fait que notre sensibilit\u00e9 se trouve fondamentalement boulevers\u00e9e par l\u2019av\u00e8nement des nouvelles technologies et l\u2019omnipr\u00e9sence de l\u2019information ; de plus, elle invite le(s) public(s) \u00e0 une prise de conscience critique de notre environnement, lequel n\u2019est plus contraint par des limites spatiales. \u003Cbr \/\u003E \u003Cbr \/\u003E Ainsi, Jean-No\u00ebl Laszlo nous montre que l\u2019art d\u2019aujourd\u2019hui ne s\u2019illustre pas n\u00e9cessairement par des \u0153uvres tangibles mais sous forme d\u2019actions \u00e9v\u00e9nementielles de syst\u00e8mes de communication \u00e9largissant sans cesse ses publics.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:329px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/LASZ1995_LEMI_LASZ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022Jean-No\u00ebl Laszlo pendant l\u0026#039;action\u0022 title=\u0022Jean-No\u00ebl Laszlo | photographie de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Jean-No\u00ebl Laszlo pendant l\u0026#039;action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/LASZ1995_LEMI_LASZ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022197\u0022 alt=\u0022Jean-No\u00ebl Laszlo pendant l\u0026#039;action\u0022 title=\u0022Jean-No\u00ebl Laszlo | photographie de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Jean-No\u00ebl Laszlo pendant l\u0026#039;action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/LASZ1995_LEMI_LASZ_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022329\u0022 alt=\u0022Jean-No\u00ebl Laszlo pendant l\u0026#039;action\u0022 title=\u0022Jean-No\u00ebl Laszlo | photographie de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Jean-No\u00ebl Laszlo pendant l\u0026#039;action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022329\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | photographie de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | Jean-No\u00ebl Laszlo pendant l\u0027action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EBob Lens\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EBob Lens\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emus\u00e9e\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMus\u00e9e d\u0026#039;Art moderne et d\u0026#039;Art contemporain (MAMAC)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E03 02 1995\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFred Forest\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EBob Lens\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003EPromenade des Arts\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Edans le cadre du s\u00e9minaire \u003Cem\u003EArt - Nouvelles technologies - Sciences\u003C\/em\u003E, Universit\u00e9 Nice-Sophia Antipolis, organis\u00e9 par Fred Forest\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:218px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_01.jpg\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECourrier pr\u00e9paratoire \u00e0 l\u0026#039;action, feuille A4 dactylographi\u00e9e et notes manuscrites\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:218px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_02.jpg\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | Texte d\u0027intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ETexte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif, feuille A4 dactylographi\u00e9e\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:218px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_03.jpg\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAffiche de l\u0026#039;\u00e9v\u00e9nement\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:129px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_R.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002243\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_R.jpg\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_R.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEnjeux et programme du s\u00e9minaire organis\u00e9 par Fred forest, recto\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:129px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_V.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002243\u0022 height=\u0022100\u0022 alt=\u0022programme du s\u00e9minaire organis\u00e9 par  Fred forest\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_V.jpg\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022programme du s\u00e9minaire organis\u00e9 par  Fred forest\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_V.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022programme du s\u00e9minaire organis\u00e9 par  Fred forest\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEnjeux et programme du s\u00e9minaire organis\u00e9 par Fred forest, verso\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:212px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002271\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_05.jpg\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPlaquette annon\u00e7ant la performance\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3204"}