{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EQUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u00c9v\u00e9nement ind\u00e9pendant (sans autorisation)\u003Cbr \/\u003E\u003Cbr \/\u003EUne semaine avant la projection, affichage et tchache, dans tout le quartier du port, de l\u2019affiche ci-jointe [voir les documents associ\u00e9s \u00e0 cette performance, NDLR]. L\u2019avant-veille et la veille, virada en voiture pour annoncer, au m\u00e9gaphone, la projection, en pr\u00e9cisant aux personnes de descendre avec leur chaise pour constituer une salle de \u00ab cin\u00e9ma \u00bb de rue. Le jour m\u00eame, double projection avec tchache articul\u00e9e sur le n\u00e9olib\u00e9ralisme campion dau m\u00f2nde (world champion). La derni\u00e8re partie de la performance fut constitu\u00e9e par le maintient, jusqu\u2019\u00e0 la fin, de la projection malgr\u00e9 l\u2019intervention des forces de police.\u003Cbr \/\u003E\u003Cbr \/\u003EAvec l\u0027aide technique de Xavier Vaugien et les d\u00e9cors de Brigitte Mathis et Anne-Sophie Rousselot.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EThierry Lagalla\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EThierry Lagalla\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003ELo\u00efc Connanski\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EThierry Lagalla\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003ELo\u00efc Connanski\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Erue\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ERue Pacho\/Rue Fod\u00e9r\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E2001\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-structure field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStructure\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EZou Mai\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003ELo Peolh Cin\u00e9ma\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022premise\u0022\u003Equartier du port\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte th\u00e9orique\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EContexte politique :\u003Cbr \/\u003Er\u00e9appropriation de l\u2019espace public, anti-confinement s\u00e9curito-consum\u00e9riste de type C\u00f4te d\u2019Azur et urbain contemporain.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EThierry Lagalla\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\n\n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:218px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/CONNLAGA2001_QUOR_LAGA_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Thierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0026quot;QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0026quot;, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/CONNLAGA2001_QUOR_LAGA_DOCI_01.jpg\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Thierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0026quot;QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0026quot;, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/CONNLAGA2001_QUOR_LAGA_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Thierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0026quot;QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0026quot;, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EThierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0022QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0022, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAffiche annon\u00e7ant la performance\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:205px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/CONNLAGA2001_QUOR_LAGA_DOCP_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Thierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0026quot;QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0026quot;, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/CONNLAGA2001_QUOR_LAGA_DOCP_01.jpg\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Thierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0026quot;QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0026quot;, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/CONNLAGA2001_QUOR_LAGA_DOCP_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Thierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0026quot;QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0026quot;, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EThierry Lagalla, Lo\u00efc Connanski | trace de la performance \u0022QUORA A LA MAION FA CAUT, CALA LA CADIERA (Quand il fait chaud \u00e0 la maison, descend la chaise)\u0022, 2001 | \u00a9 Thierry Lagalla | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPage extraite du magazine Nouvelle Vague\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3195"}