{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ETroisi\u00e8me cellule\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003ELes cellules 1 et 2 r\u00e9alis\u00e9e en ext\u00e9rieur en 1975 et 1977 sont destin\u00e9es aux gens. Yoko Gunji exp\u00e9rimente un nouveau protocole \u00e0 travers sa troisi\u00e8me cellule.  Le public est d\u0027abord invit\u00e9 \u00e0 observer les c\u00e9ramiques et leur processus de transformation de l\u0027ext\u00e9rieur,  puis il p\u00e9n\u00e8tret la cellule de tarlatane ne formant plus qu\u0027un seul et m\u00eame organisme compos\u00e9 de mat\u00e8res vivantes et de mati\u00e8res mortes. Des trois cellules r\u00e9alis\u00e9es cette derni\u00e8re est la plus fictive, la plus hypoth\u00e9tique.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:293px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/GUNJ1977_CEL3_XXXX_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002259\u0022 height=\u0022100\u0022 alt=\u0022Les trois \u00e9tapes de la 3\u00e8me cellule\u0022 title=\u0022Yoko Gunji | photographie de la performance \u0026quot;Troisi\u00e8me cellule\u0026quot;, 1978 | Les trois \u00e9tapes de la 3\u00e8me cellule | \u00a9 Yoko Gunji | photographie : \u00a9 Yoko Gunji\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/GUNJ1977_CEL3_XXXX_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022176\u0022 height=\u0022300\u0022 alt=\u0022Les trois \u00e9tapes de la 3\u00e8me cellule\u0022 title=\u0022Yoko Gunji | photographie de la performance \u0026quot;Troisi\u00e8me cellule\u0026quot;, 1978 | Les trois \u00e9tapes de la 3\u00e8me cellule | \u00a9 Yoko Gunji | photographie : \u00a9 Yoko Gunji\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/GUNJ1977_CEL3_XXXX_PHOT_01.jpg\u0022 width=\u0022293\u0022 height=\u0022500\u0022 alt=\u0022Les trois \u00e9tapes de la 3\u00e8me cellule\u0022 title=\u0022Yoko Gunji | photographie de la performance \u0026quot;Troisi\u00e8me cellule\u0026quot;, 1978 | Les trois \u00e9tapes de la 3\u00e8me cellule | \u00a9 Yoko Gunji | photographie : \u00a9 Yoko Gunji\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022293\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EYoko Gunji | photographie de la performance \u0022Troisi\u00e8me cellule\u0022, 1978 | Les trois \u00e9tapes de la 3\u00e8me cellule | \u00a9 Yoko Gunji | photographie : \u00a9 Yoko Gunji\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EYoko Gunji\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EYoko Gunji\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganisateur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EYoko Gunji\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eespace alternatif\/atelier d\u0026#039;artiste\/au domicile de\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ELa Diff\u00e9rence\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E1978\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Efascicule Yoko Gunji, p. 5\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3166"}