{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ERestructuration Spatiale n\u00b0 5\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003ELa \u003Cem\u003ERestructuration spatiale n\u00b05\u003C\/em\u003E prolonge le travail r\u00e9alis\u00e9 par No\u00ebl Dolla en f\u00e9vrier 1970 \u00e0 la Cime de l\u2019Authion. En contrebas de la Promenade des Anglais sur la plage de galets, l\u2019artiste fait creuser trois immenses crat\u00e8res de trente m\u00e8tres de diam\u00e8tre et d\u2019un m\u00e8tre cinquante de profondeur. Chaque cercle s\u2019\u00e9tend du rivage \u00e0 la digue. V\u00eatus de combinaisons blanches, No\u00ebl Dolla et ses assistants peignent chacun des cercles \u00e0 l\u2019aide de pigments naturels (ocre jaune, ocre rouge et terre de sienne br\u00fbl\u00e9e). \u00c0 l\u2019image des premi\u00e8res restructurations spatiales du d\u00e9but des ann\u00e9es 1970, celle-ci entretient des liens avec les \u0153uvres am\u00e9ricaines du Land Art. Mais \u00e0 la diff\u00e9rence de ces derni\u00e8res aucune image photographique des \u0153uvres dans la nature de No\u00ebl Dolla ne sera commercialis\u00e9e.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:371px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/DOLL1980_REST_DOLL_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002274\u0022 height=\u0022100\u0022 alt=\u0022Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II\u0022 title=\u0022No\u00ebl Dolla | photographie de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/DOLL1980_REST_DOLL_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022223\u0022 height=\u0022300\u0022 alt=\u0022Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II\u0022 title=\u0022No\u00ebl Dolla | photographie de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/DOLL1980_REST_DOLL_PHOT_01.jpg\u0022 width=\u0022371\u0022 height=\u0022500\u0022 alt=\u0022Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II\u0022 title=\u0022No\u00ebl Dolla | photographie de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022371\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENo\u00ebl Dolla | photographie de la performance \u0022Restructuration Spatiale n\u00b0 5\u0022, 1980 | Photographie de la performance in \u003Cem\u003EChroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0027un Mus\u00e9e\u003C\/em\u003E, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:390px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/DOLL1980_REST_DOLL_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002278\u0022 height=\u0022100\u0022 alt=\u0022Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II\u0022 title=\u0022No\u00ebl Dolla | photographie de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/DOLL1980_REST_DOLL_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022234\u0022 height=\u0022300\u0022 alt=\u0022Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II\u0022 title=\u0022No\u00ebl Dolla | photographie de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/DOLL1980_REST_DOLL_PHOT_02.jpg\u0022 width=\u0022390\u0022 height=\u0022500\u0022 alt=\u0022Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II\u0022 title=\u0022No\u00ebl Dolla | photographie de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | Photographie de la performance in \u0026lt;em\u0026gt;Chroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0026#039;un Mus\u00e9e\u0026lt;\/em\u0026gt;, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022390\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENo\u00ebl Dolla | photographie de la performance \u0022Restructuration Spatiale n\u00b0 5\u0022, 1980 | Photographie de la performance in \u003Cem\u003EChroniques ni\u00e7oises, G\u00e9n\u00e8se d\u0027un Mus\u00e9e\u003C\/em\u003E, tome II | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | photographie : \u00a9 No\u00ebl Dolla | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENo\u00ebl Dolla\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENo\u00ebl Dolla\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-serie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ES\u00e9rie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ERestructurations spatiales\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ebord de mer\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPromenade des Anglais\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E23 02 1980\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-structure field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStructure\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EDirection des mus\u00e9es de Nice\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003Eface aux Ponchettes\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Eplage\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eaction r\u00e9alis\u00e9e lors de l\u0027exposition \u003Cem\u003ENo\u00ebl Dolla\u003C\/em\u003E \u00e0 la Galerie d\u0027Art Contemporain des Mus\u00e9es de Nice (GAC). Cette intervention fait partie de la s\u00e9rie des \u003Cem\u003ERestructurations spatiales\u003C\/em\u003E entreprises le 5 octobre 1968, Cime de l\u0027Authion, Alpes -Maritimes.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n\n\n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\n\u003Cdiv class=\u0022embedded-video\u0022\u003E\n  \u003Cdiv class=\u0022player\u0022\u003E\n    \u003Ciframe class=\u0022\u0022 id=\u0022vimeo-55085169\u0022 width=\u0022550px\u0022 height=\u0022360px\u0022 src=\u0022\/\/player.vimeo.com\/video\/55085169?width=550px\u0026amp;height=360px\u0026amp;color=00adef\u0026amp;portrait=1\u0026amp;title=1\u0026amp;byline=1\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;player_id=vimeo-55085169\u0022 frameborder=\u00220\u0022 webkitAllowFullScreen mozallowfullscreen allowfullscreen\u003E\u003C\/iframe\u003E  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\n        \n\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ECapture vid\u00e9o de la performance de No\u00ebl Dolla r\u00e9alis\u00e9e sur la plage de Nice.\u003Cbr\u003ECourtesy Mus\u00e9e d\u0027Art Moderne et d\u0027Art Contemporain (MAMAC) de Nice.\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-temoignage\u0022\u003E\n  \n\u003Cdiv class=\u0022field-label\u0022\u003ET\u00e9moignage\u003C\/div\u003E\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ER\u00e9cit de la performance.\u003Cbr\u003ER\u00e9alis\u00e9 le 10 avril 2012 \u00e0 23h au domicile de l\u0027artiste \u00e0 Nice.\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/soundcloud.com\/performance-art\/noel-dolla\u0022 rel=\u0022soundcloud\u0022\u003Ehttp:\/\/soundcloud.com\/performance-art\/noel-dolla\u003C\/a\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:196px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/DOLL1980_REST_DOLL_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002265\u0022 alt=\u0022\u0022 title=\u0022No\u00ebl Dolla | trace de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/DOLL1980_REST_DOLL_DOCI_01.jpg\u0022 width=\u0022300\u0022 height=\u0022196\u0022 alt=\u0022\u0022 title=\u0022No\u00ebl Dolla | trace de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/DOLL1980_REST_DOLL_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022196\u0022 alt=\u0022\u0022 title=\u0022No\u00ebl Dolla | trace de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022196\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENo\u00ebl Dolla | trace de la performance \u0022Restructuration Spatiale n\u00b0 5\u0022, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECarton d\u0026#039;invitation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:219px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/DOLL1980_REST_DOLL_DOCI_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022No\u00ebl Dolla | trace de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/DOLL1980_REST_DOLL_DOCI_02.jpg\u0022 width=\u0022219\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022No\u00ebl Dolla | trace de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/DOLL1980_REST_DOLL_DOCI_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022219\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022No\u00ebl Dolla | trace de la performance \u0026quot;Restructuration Spatiale n\u00b0 5\u0026quot;, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022219\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENo\u00ebl Dolla | trace de la performance \u0022Restructuration Spatiale n\u00b0 5\u0022, 1980 | \u00a9 No\u00ebl Dolla - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAffichette annon\u00e7ant l\u0026#039;action\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3042"}