{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003Esans titre\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003ECette performance s\u0027inscrit dans la lign\u00e9e du travail d\u0027Eric Andr\u00e9atta avec le blanc d\u0027Espagne. Dans l\u0027auditorium du MAMAC, sur sc\u00e8ne, six ch\u00e2ssis vitr\u00e9s d\u0027\u00e0 peu pr\u00e8s 80 par 170 cm sont pos\u00e9s \u00e0 la verticale sur des socles. Au sommet des ch\u00e2ssis est pos\u00e9e une r\u00e8gle d\u0027architecte. Un voile de tissu opaque rose pli\u00e9 est fix\u00e9 entre la r\u00e8gle et les ch\u00e2ssis. Six amis d\u0027\u00c9ric Andr\u00e9atta aux professions diverses, non artistiques, montent sur sc\u00e8ne. Chacun badigeonne de blanc d\u0027Espagne le ch\u00e2ssis derri\u00e8re lequel il se trouve jusqu\u0027\u00e0 totalement dispara\u00eetre. \u003Cbr\u003E Pendant ce temps, Claude Fa\u00efm, psychiatre et po\u00e8te, cach\u00e9 derri\u00e8re un rideau, lit \u00e0 haute voix un texte sans accroche [texte dont la lecture ou l\u0027\u00e9coute ne provoque aucune image mentale, NDLR]. Quand il \u00e9nonce le dernier mot, \u00c9ric Andr\u00e9atta qui assistait \u00e0 l\u2019action depuis la loge technique coupe l\u0027\u00e9lectricit\u00e9 de la salle.\u003Cbr\u003EPlong\u00e9 dans le noir les six protagonistes font basculer la r\u00e8gle qui en tombant raye le blanc d\u2019Espagne comme un gigantesque code barre. Le tissu est entrain\u00e9 dans la chute. La lumi\u00e8re est rallum\u00e9e, la vue du public d\u00e9finitivement occult\u00e9e par le voile rose. La performance \u00e9tait programm\u00e9e \u00e0 une heure pr\u00e9cise. \u00c9ric Andr\u00e9atta avait fait appelle \u00e0 des ouvreuses qui s\u00e9paraient les gens venus ensemble \u00e0 l\u2019entr\u00e9e de l\u2019auditorium pour les placer \u00e0 c\u00f4t\u00e9 d\u2019inconnus. \u003Cbr\u003E\u003Cbr\u003ERetranscription partielle d\u0027un entretien t\u00e9l\u00e9phonique avec \u00c9ric Andr\u00e9atta, 2012\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEric Andr\u00e9atta\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEric Andr\u00e9atta\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EClaude Fa\u00efn\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emus\u00e9e\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMus\u00e9e d\u0026#039;Art moderne et d\u0026#039;Art contemporain (MAMAC)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E2000\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003EPromenade des Arts\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Eauditorium\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\n\u003Cdiv class=\u0022embedded-video\u0022\u003E\n  \u003Cdiv class=\u0022player\u0022\u003E\n    \u003Ciframe class=\u0022\u0022 id=\u0022vimeo-55600689\u0022 width=\u0022550px\u0022 height=\u0022360px\u0022 src=\u0022\/\/player.vimeo.com\/video\/55600689?width=550px\u0026amp;height=360px\u0026amp;color=00adef\u0026amp;portrait=1\u0026amp;title=1\u0026amp;byline=1\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;player_id=vimeo-55600689\u0022 frameborder=\u00220\u0022 webkitAllowFullScreen mozallowfullscreen allowfullscreen\u003E\u003C\/iframe\u003E  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\n        \n\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ECapture vid\u00e9o d\u0027une performance d\u0027\u00c9ric Andr\u00e9atta au Mus\u00e9e d\u0027Art Moderne et d\u0027Art Contemporain (MAMAC) de Nice.\u003Cbr\u003E\u00a9 \u00c9ric Andr\u00e9atta\u003Cbr\u003E R\u00e9alis\u00e9e par Muriel Anssens.\u003Cbr\u003E Courtesy Mus\u00e9e d\u0027Art Moderne et d\u0027Art Contemporain (MAMAC).\u003Cbr\u003E Num\u00e9risation r\u00e9alis\u00e9e par la Villa Arson, Nice\u003C\/p\u003E\u003Ch3 class=\u0022r\u0022\u003E\u003Ca href=\u0022http:\/\/www.copyrightfrance.com\/\u0022\u003E\u00a9\u003C\/a\u003E\u003C\/h3\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-temoignage\u0022\u003E\n  \n\u003Cdiv class=\u0022field-label\u0022\u003ET\u00e9moignage\u003C\/div\u003E\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ER\u00e9cit d\u0027une performance.\u003Cbr\u003ER\u00e9alis\u00e9 le 26 avril 2012 \u00e0 11h \u00e0 la Villa Arson.\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/soundcloud.com\/performance-art\/eric-andreatta\u0022 rel=\u0022soundcloud\u0022\u003Ehttp:\/\/soundcloud.com\/performance-art\/eric-andreatta\u003C\/a\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2819"}