{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ELes Entremets de la Palissade\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EA 23h45 pr\u00e9cises, Raymond Hains invite toutes les personnes pr\u00e9sentes \u00e0 partager son Grand G\u00e2teau rituel.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:325px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/HAIN1961_ENTR_SOSN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002265\u0022 alt=\u0022Raymond Hains distribuant son G\u00e2teau Lapalissade\u0022 title=\u0022Raymond Hains | photographie de la performance \u0026quot;Les Entremets de la Palissade\u0026quot;, 1961 | Raymond Hains distribuant son G\u00e2teau Lapalissade | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/HAIN1961_ENTR_SOSN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022195\u0022 alt=\u0022Raymond Hains distribuant son G\u00e2teau Lapalissade\u0022 title=\u0022Raymond Hains | photographie de la performance \u0026quot;Les Entremets de la Palissade\u0026quot;, 1961 | Raymond Hains distribuant son G\u00e2teau Lapalissade | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/HAIN1961_ENTR_SOSN_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022325\u0022 alt=\u0022Raymond Hains distribuant son G\u00e2teau Lapalissade\u0022 title=\u0022Raymond Hains | photographie de la performance \u0026quot;Les Entremets de la Palissade\u0026quot;, 1961 | Raymond Hains distribuant son G\u00e2teau Lapalissade | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022325\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ERaymond Hains | photographie de la performance \u0022Les Entremets de la Palissade\u0022, 1961 | Raymond Hains distribuant son G\u00e2teau Lapalissade | photographie : \u00a9 DR | courtesy Sacha Sosno\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ERaymond Hains\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ERaymond Hains\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Elieu patrimonial\/lieu de culte\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAbbaye de Roseland\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E14 07 1961\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E44, boulevard Napol\u00e9on III\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Elors du \u003Cem\u003EFestival du Nouveau R\u00e9alisme\u003C\/em\u003E, soir\u00e9e organis\u00e9e parall\u00e8lement \u00e0 l\u0027exposition \u003Cem\u003ENouveaux R\u00e9alistes\u003C\/em\u003E \u00e0 la galerie Muratore\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESources bibliographiques\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecit\u00e9 in Pierre Restany, catalogue \u003Cem\u003ELes Nouveaux R\u00e9alistes\u003C\/em\u003E, 9 juillet- 26 septembre 1982, GAC et Galerie des Ponchettes, Nice, Direction des Mus\u00e9es de Nice, p.47\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:104px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/HAIN1961_ENTR_XXXX_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002235\u0022 alt=\u0022\u0022 title=\u0022Raymond Hains | trace de la performance \u0026quot;Les Entremets de la Palissade\u0026quot;, 1961 | \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/HAIN1961_ENTR_XXXX_DOCI_01.jpg\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022Raymond Hains | trace de la performance \u0026quot;Les Entremets de la Palissade\u0026quot;, 1961 | \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/HAIN1961_ENTR_XXXX_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022Raymond Hains | trace de la performance \u0026quot;Les Entremets de la Palissade\u0026quot;, 1961 | \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ERaymond Hains | trace de la performance \u0022Les Entremets de la Palissade\u0022, 1961 | \u00a9 DR | courtesy Sacha Sosno\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecarton d\u0026#039;invitation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:199px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002266\u0022 height=\u0022100\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EAffiche sign\u00e9e du \u0022Festival du Nouveau R\u00e9alisme\u0022 \u00e0 la Galerie Muratore et \u00e0 l\u0027Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAffiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2773"}