{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EGrand feu \u00e0 volont\u00e9\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u00c0 00h15, Niki de Saint Phalle commence des tirs surprises \u00e0 la carabine sur un panneau cible contenant des objets de verre, des poches de couleurs et des bombes fumig\u00e8nes. Elle invite ensuite les spectateurs \u00e0 faire de m\u00eame. \u00ab En 1961, Niki met au point ses \u003Cem\u003ETableaux surprises\u003C\/em\u003E, panneaux de pl\u00e2tre \u00e0 la surface irr\u00e9guli\u00e8rement boursoufl\u00e9e \u00e0 l\u0027int\u00e9rieur desquels sont enrob\u00e9s des poches, des sacs et des tubes de couleur fluide. On pr\u00e9sente une carabine au spectateur, et on lui demande de tirer o\u00f9 bon lui semble, en n\u0027importe quel point de ces reliefs-cibles [...]. Ces coul\u00e9es lin\u00e9aires \u00e9voquent imm\u00e9diatement les \u00e9claboussures caract\u00e9ristiques de l\u0027\u003Cem\u003Eaction-painting\u003C\/em\u003E. Du \u003Cem\u003Edripping\u003C\/em\u003E au revolver : le geste de Niki constituait la plus d\u00e9finitive satire, la plus irr\u00e9vocable parodie du style am\u00e9ricain [...] un t\u00e9moignage suppl\u00e9mentaire de la \u00ab mort de l\u0027art \u00bb.\u003Cbr \/\u003EPierre Restany\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:332px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/SAIN1961_GFEU_SOSN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine\u0022 title=\u0022Niki de Saint Phalle | photographie de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/SAIN1961_GFEU_SOSN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022199\u0022 alt=\u0022Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine\u0022 title=\u0022Niki de Saint Phalle | photographie de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/SAIN1961_GFEU_SOSN_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022332\u0022 alt=\u0022Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine\u0022 title=\u0022Niki de Saint Phalle | photographie de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022332\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENiki de Saint Phalle | photographie de la performance \u0022Grand feu \u00e0 volont\u00e9\u0022, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EConcepteur\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENiki de Saint Phalle\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EExecutant\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENiki de Saint Phalle\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopologie\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Elieu patrimonial\/lieu de culte\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ELieux\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAbbaye de Roseland\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EDate de d\u00e9but\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E13 07 1961\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdresse\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E44, boulevard Napol\u00e9on III\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Ejardin\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EContexte\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eduring the\u003Cem\u003E Festival du Nouveau R\u00e9alisme\u003C\/em\u003E (\u003Cem\u003ENew Realism Festival\u003C\/em\u003E ), an event organized in \u003Cbr \/\u003E\u003Cbr \/\u003Econjunction with the \u003Cem\u003ENouveaux R\u00e9alistes\u003C\/em\u003E (\u003Cem\u003ENew Realists\u003C\/em\u003E) exhibition at the Muratore gallery.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESources bibliographiques\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecit\u00e9 in catalogue \u003Cem\u003ELes Nouveaux R\u00e9alistes\u003C\/em\u003E, Pierre Restany, 9 juillet - 26 septembre 1982, GAC et Galerie des Ponchettes, Nice, Direction des Mus\u00e9es de Nice, p. 47\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:104px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/SAIN1961_GFEU_XXXX_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002235\u0022 alt=\u0022\u0022 title=\u0022Niki de Saint Phalle | trace de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/SAIN1961_GFEU_XXXX_DOCI_01.jpg\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022Niki de Saint Phalle | trace de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/SAIN1961_GFEU_XXXX_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022Niki de Saint Phalle | trace de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENiki de Saint Phalle | trace de la performance \u0022Grand feu \u00e0 volont\u00e9\u0022, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecarton d\u0026#039;invitation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:199px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002266\u0022 height=\u0022100\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EAffiche sign\u00e9e du \u0022Festival du Nouveau R\u00e9alisme\u0022 \u00e0 la Galerie Muratore et \u00e0 l\u0027Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAffiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2755"}