{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ESaturation \u2013 Poetry-Action\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003ERecording of several texts read aloud simultaneously. This poem is the result of voice recordings of eight people in different languages which gradually overlap, to quickly become incomprensible. The texts, with no relation to each other, allowed Berar Venet to reaffirm his interest in the idea of saturation. \u003Cem\u003ESaturation\u003C\/em\u003E is described in the section of \u003Cem\u003EInformation Theory\u003C\/em\u003E entitled \u003Cem\u003ENoise Theory: Too much information offered simultaneously prevents us from grasping the meaning of what is offered to us. It is an interesting subject for reflection that offers, in my opinion, a\u0026nbsp; wide variety of unique artistic proposals and being able to take advantage of it as I do in different disciplines enables me to begin to discover all the wealth.\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003ESAUSSET Damien, \u003Cem\u003ESaturation Po\u00e9sie-Action\u003C\/em\u003E in GOLDBERG Roselee, PEDRINI Enrico et SAUSSET Damien (dir.), \u003Cem\u003EBernar Venet : Performances, etc. 1961-2006\u003C\/em\u003E, Milan, Editions Charta, 2006, pp. 208.\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EDamien Sausset\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:394px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/VENE2003_SATU_INCN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002279\u0022 alt=\u0022Bernar Venet lors de la performance \u00e0 l\u0026#039;Espace de l\u0026#039;Art Concret\u0022 title=\u0022Bernar Venet | photographie de la performance \u0026quot;Saturation -  Po\u00e9sie-Action\u0026quot;, 2003 | Bernar Venet lors de la performance \u00e0 l\u0026#039;Espace de l\u0026#039;Art Concret | \u00a9 Bernar Venet - ADAGP, Paris 2012 | photographie : \u00a9 Espace de l\u0026#039;Art Concret\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/VENE2003_SATU_INCN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022236\u0022 alt=\u0022Bernar Venet lors de la performance \u00e0 l\u0026#039;Espace de l\u0026#039;Art Concret\u0022 title=\u0022Bernar Venet | photographie de la performance \u0026quot;Saturation -  Po\u00e9sie-Action\u0026quot;, 2003 | Bernar Venet lors de la performance \u00e0 l\u0026#039;Espace de l\u0026#039;Art Concret | \u00a9 Bernar Venet - ADAGP, Paris 2012 | photographie : \u00a9 Espace de l\u0026#039;Art Concret\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/VENE2003_SATU_INCN_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022394\u0022 alt=\u0022Bernar Venet lors de la performance \u00e0 l\u0026#039;Espace de l\u0026#039;Art Concret\u0022 title=\u0022Bernar Venet | photographie de la performance \u0026quot;Saturation -  Po\u00e9sie-Action\u0026quot;, 2003 | Bernar Venet lors de la performance \u00e0 l\u0026#039;Espace de l\u0026#039;Art Concret | \u00a9 Bernar Venet - ADAGP, Paris 2012 | photographie : \u00a9 Espace de l\u0026#039;Art Concret\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022394\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBernar Venet | photographie de la performance \u0022Saturation -  Po\u00e9sie-Action\u0022, 2003 | Bernar Venet lors de la performance \u00e0 l\u0027Espace de l\u0027Art Concret | \u00a9 Bernar Venet - ADAGP, Paris 2012 | photographie : \u00a9 Espace de l\u0027Art Concret\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBernar Venet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emuseum\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEspace de l\u0026#039;Art Concret\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E07 30 2003\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003ECh\u00e2teau de Mouans \u2013 F06370 Mouans-Sartoux\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003EMouans-Sartoux\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003ETheoretical background\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EI am working on the principle of equivalence. My artistic approach is supported by a broad enough concept which enables me to express myself in several disciplines at one time. [...] In the 1960s, my first poems used mathematical language and targeted objectives parallel to those of my paintings of the time. I was looking to introduce into the field of poetry mathematical symbols, clear signs, univocals (monosemics). It was a way to escape the limits that poetry had hitherto developed: the first of a relation to reality (polysemic) or to phonetic, sound or lettrist poetry (pansemic), not using normal words of spoken language. The idea later came to me to distance myself a bit from the radical nature of this proposal. But for the sake of constant research, I always avoided wasting my time to respect conventions, in these clich\u00e9s so easily recognizable that suggest to the masses that a text is poetic.\u003C\/p\u003E\u003Cp\u003ESAUSSET Damien, \u003Cem\u003ESaturation Po\u00e9sie-Action\u003C\/em\u003E in GOLDBERG Roselee, PEDRINI Enrico et SAUSSET Damien (dir.), \u003Cem\u003EBernar Venet : Performances, etc. 1961-2006\u003C\/em\u003E, Milan, Editions Charta, 2006, pp. 208.\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EBernar Venet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EGOLDBERG Roselee, PEDRINI Enrico et SAUSSET Damien (dir.),\u003Cem\u003E Bernar Venet: Performances, etc. 1961-2006\u003C\/em\u003E, Milan, Editions Charta, 2006, 248 p.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EWebsite\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.bernarvenet.com\/\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.bernarvenet.com\/\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E","nid":"3461"}