{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EHold-up against apartheid\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EPinoncelli, disguised as a guerrillero, masked and armed with a sawed-off gun, proceeds to a holdup in Nice, at the Societe Generale.\u003Cbr \/\u003EHe asks for one symbolic franc then finally 10 francs because of general inflation.\u003Cbr \/\u003EThe artist carries with him a letter of explanation, just in case things go wrong ...  Pierre Pinoncelli exits, walking a military parade. For this reason he does not get shot. He will simply be arrested, but he had actually risked his life.\u003Cbr \/\u003E\u003Cbr \/\u003EThe story has it that a year later, Spaggiari realizes his true heist in this very place.\u003Cbr \/\u003E\u003Cbr \/\u003EWord of the artist:\u003Cbr \/\u003E\u0022It\u0027s a free show and that brings me absolutely NOTHING (besides beatings, arrests and applause), so nothing that can help to \u0022 feed my family \u0022(sic) because I never take any collection, nor pass around a mountain infantry beret, after the \u0022representation\u0022 to be filled with one franc (AF) coins.This position of \u0022working for nothing\u0022 can only be suspected in a consumer society where there\u2019sa price on the head of every minute. \u0022\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:191px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002238\u0022 height=\u0022100\u0022 alt=\u0022Montage photographique\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022115\u0022 height=\u0022300\u0022 alt=\u0022Montage photographique\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_01.jpg\u0022 width=\u0022191\u0022 height=\u0022500\u0022 alt=\u0022Montage photographique\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022191\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | photographie de la performance \u0022Hold-up contre l\u0027 Apartheid\u0022, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:190px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002238\u0022 height=\u0022100\u0022 alt=\u0022Montage photographique\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022114\u0022 height=\u0022300\u0022 alt=\u0022Montage photographique\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_02.jpg\u0022 width=\u0022190\u0022 height=\u0022500\u0022 alt=\u0022Montage photographique\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022190\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | photographie de la performance \u0022Hold-up contre l\u0027 Apartheid\u0022, 1975 | Montage photographique | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:392px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002278\u0022 height=\u0022100\u0022 alt=\u0022Pierre Pinoncelli posant devant la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale juste avant le hold-up\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Pierre Pinoncelli posant devant la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale juste avant le hold-up | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022235\u0022 height=\u0022300\u0022 alt=\u0022Pierre Pinoncelli posant devant la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale juste avant le hold-up\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Pierre Pinoncelli posant devant la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale juste avant le hold-up | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_03.jpg\u0022 width=\u0022392\u0022 height=\u0022500\u0022 alt=\u0022Pierre Pinoncelli posant devant la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale juste avant le hold-up\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Pierre Pinoncelli posant devant la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale juste avant le hold-up | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022392\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | photographie de la performance \u0022Hold-up contre l\u0027 Apartheid\u0022, 1975 | Pierre Pinoncelli posant devant la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale juste avant le hold-up | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Jean Ferrero | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022Pinoncelli emmen\u00e9 par la police apr\u00e8s son arrestation, suite au Hold-up de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Pinoncelli emmen\u00e9 par la police apr\u00e8s son arrestation, suite au Hold-up de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Paul Louis | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022Pinoncelli emmen\u00e9 par la police apr\u00e8s son arrestation, suite au Hold-up de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Pinoncelli emmen\u00e9 par la police apr\u00e8s son arrestation, suite au Hold-up de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Paul Louis | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/PINO1975_HOLD_PINO_PHOT_04.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022Pinoncelli emmen\u00e9 par la police apr\u00e8s son arrestation, suite au Hold-up de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale\u0022 title=\u0022Pierre Pinoncelli | photographie de la performance \u0026quot;Hold-up contre l\u0026#039; Apartheid\u0026quot;, 1975 | Pinoncelli emmen\u00e9 par la police apr\u00e8s son arrestation, suite au Hold-up de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Paul Louis | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EPierre Pinoncelli | photographie de la performance \u0022Hold-up contre l\u0027 Apartheid\u0022, 1975 | Pinoncelli emmen\u00e9 par la police apr\u00e8s son arrestation, suite au Hold-up de la Soci\u00e9t\u00e9 G\u00e9n\u00e9rale | \u00a9 Pierre Pinoncelli - ADAGP, Paris 2012 | photographie : \u00a9 Paul Louis | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPierre Pinoncelli\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPierre Pinoncelli\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPierre Pinoncelli\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Estore\/company\/shopping mall\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ESoci\u00e9t\u00e9 G\u00e9n\u00e9rale\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E06 04 1975\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003EAvenue Jean M\u00e9decin\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Ebanque\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBackground\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EIn response to the twinning between Nice and Cape Town in South Africa\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cem\u003EChroniques ni\u00e7oises II\u003C\/em\u003E, 1990\u003Cbr \/\u003E \u003Cem\u003ELes exploits du hors-la-loi Pinoncelli\u003C\/em\u003E,Sarane Alexandrian, in revue \u003Cem\u003ESup\u00e9rieur inconnu\u003C\/em\u003E, n\u00b0 sp\u00e9cial sur le bizarre, automne 2007, p. 23\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EWebsite\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/membres.multimania.fr\/pinoncelli\/\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/membres.multimania.fr\/pinoncelli\/\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ein film sur Pierre Pinoncelli, production FatCap sur dailymotion.com\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Es\u00e9quences film\u00e9es : vues ext\u00e9rieures et int\u00e9rieures ds la banque et arrestation\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ELe Monde, 13\/12\/1975, compte rendu de l\u0026#039;audience du Tribunal\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3372"}