{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EMorbid\/god\/dess\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EMEDICAL ANALYSIS LAB\u003C\/p\u003E\u003Cp\u003EThe act here is intended as a working drawing: stripping bare, it will reference the primal BODY, functional mechanism. The body as flesh, the sick body, the dead body. No coincidence though, faced with this artistic proposition, which fuses with the painful experience of the illness and passing of my own father in December of this very year. The artistic action always works echoing real life. A sick body is a body that waits, that rests. Dependent on and spectator of the life of others.\u003C\/p\u003E\u003Cp\u003EINTENTION\u003Cbr\u003E DEATH\/SCENE\/VIDEO\/PHOTO\/PAINTING\/MODEL\u003C\/p\u003E\u003Cp\u003EIn this approach to the body, in this perspective, a video from the series \u201cHABIT\u00c9E\u201d (\u201cINHABITED\u201d) was shot in the Montreuil apartment, his final resting place. The body there plays on an ambiguity, that of a still image video-recorded for thirty-three breaths. The number thirty-three that doctors sometimes require. This figure, motionless and naked, disturbs. Watching something where almost nothing happens. Choice of medium? Why film what doesn\u2019t move? Why not a photo? Only the breathing attests to the body\u2019s life. The body is lying down. It looks like a painting. These are a model\u2019s poses. It is as if it \u201cfell\u201d to the ground, but gracefully, in different rooms of the apartment. The living room, the bedroom, the hallway, the kitchen, the toilets, the bathroom, the entryway...\u003C\/p\u003E\u003Cp\u003EFrom this filmed image of a body that does not move, this image like a photo, this image like a painting, this image like the corpses in the morgue, we had to slip further down. To set this transposition in real action.\u003C\/p\u003E\u003Cp\u003EThe dictionary explains \u201c\u003Cem\u003Emorbidezza\u003C\/em\u003E\u201d as the delicacy of touch in painting.\u003C\/p\u003E\u003Cp\u003ESETTING\u003C\/p\u003E\u003Cp\u003EThere is the waiting room with its table and catalogues, its black leather folding chairs, its umbrella stand. There is my video \u201cL\u2019HABIT\u00c9E\u201d (\u201cTHE INHABITED\u201d) which runs for forty-five minutes. Looping. There are windows, some of which are obscured by my X-rays. There is a fireplace. There are art objects exhibited on the walls, the fireplace... pretty much everywhere. The ground is clear. Wooden flooring (?). The room is accessible by a large entryway, like a porch. In the foreground, in the hall, there are currents of air, concrete, and street noises that enter.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EACTION: THE WAITING ROOM\u003C\/p\u003E\u003Cp\u003EI am naked and wrapped in a thin black cloth, the kind used for linings. I am standing, I wait; I will begin when I want to. Some people will have to be there already, looking at the exhibition. It must be past 7:30 pm, perhaps. Here we go, I move, I move around slowly, I enter the waiting and exhibition room. Slow movements. I let the cloth drop to my feet. I place on the ground a first title, letter by letter. Cut from silver cardboard. TITLE I: \u201cELISABETH MORCELLET.\u201d Then I freeze, standing, feet on this \u201cshell\u201d of black cloth....Venus coming out of nowhere. A number of letters are scattered on the ground; they will form: \u201cJUNE 13, 2002.\u201d \u201cTHE MORBID\/GOD\/DESS.\u201d \u201cMORBIDNESS DELICACY\u201d \u201cDWELL REMAIN\u201d \u201c33 INHALES EXHALES\u201d. Being silent. Writing and freezing. Standing soberly, feet anchored to the black cloth.\u003C\/p\u003E\u003Cp\u003EAfter the last title, the lying down poses will begin.\u003C\/p\u003E\u003Cp\u003EThe visitors enter full of energy, a glass of wine in hand. Children with their parents. The woman is naked. Well. Great. Unexpected. It passes. I\u2019m in the middle of their feet. I hear heels that threaten my flesh. A fragile body. People avoid me. People barely look at me. A fallen body. There is this movement of the crowd. Surprise. Embarrassment. Stopping. Small islands skirt around me, look at me. They are quiet, waiting for something. Their presence. Warmth of bodies. Sweat. Breath. Alcohol. Some sit down. A breeze from outside carried by the clothes. Perfumes. Smoke. I am submerged, rigid, frozen in the middle of them. They move. In my passive appearance, I\u2019m alive and breathing sixty miles an hour. At rest, listening. Boiling. Garish and crude painting. Skin color. Do you see? Inside. Outside. Eyes closed, open. Strength of nothing. Do nothing. Power of inertia: each space will be taken, conquered, felt, breathed. Its resonances, its odors, its dust, its light....\u003C\/p\u003E\u003Cp\u003EThe cloth covers some body parts sometimes. Above, below.\u003C\/p\u003E\u003Cp\u003EWhen the body moves, it does so slowly. Choreography in slow motion. It wakes up, begins to move again. Does the sleeping goddess expect a prince\u2019s kiss? The child recognizes it. And I leave the room. By another door. \u003Cem\u003EOut.\u003C\/em\u003E A first end. Gold and X-rays. Time passes. I come back. \u003Cem\u003EIn\u003C\/em\u003E. Same door. I am wrapped in this gold and silver rescue blanket. Torn, resewn, restored ends, all wrinkled. Since 1987, I have used this accessory: as a screen, mirror, dazzle, reflection, protection. It envelops me, protects me. It saves lives on the brink of the abyss. Fallen to the ground. In a coma. After collapsing. Revive. Quick. Warm back up before death can...I will use the X-rays placed on my body on the corresponding spots. Poses and rigidness in the movement of the visitors. In the heart of the space. Again this turning of the body and then leaving. The same door. \u003Cem\u003EOut\u003C\/em\u003E.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003ETHE HALL\u003C\/p\u003E\u003Cp\u003EReappearing then in the somber entryway of the hall. A video is projected directly on the wall. Gliding like a shadow in the golden gleam of the blanket. Along the walls. Standing on tiptoe. A place between inside and outside. Fresh air. They come in, they go out, they fidget. I watch. I will circle the room, standing up, step by step, delicately and coldly. They will spot me. They will leave. The loop will soon be finished. Pass under the archway to cross for the last time. I walk. A rigid, upright stone slab, advancing towards the exit. And it will be finished for me. Body drained. Longing for clothes, for words. No one applauds something that has neither beginning nor end. That\u2019s fine. This is something else. Art, action is an existential search that seeks to confront the living. In quest of a unique experience. An attitude of intimacy that gazes deeply into the eyes of the other. Pleasure...\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:356px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002271\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022214\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022356\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022356\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:362px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002272\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022217\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_02.jpg\u0022 width=\u0022500\u0022 height=\u0022362\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022362\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:353px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002271\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022212\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_03.jpg\u0022 width=\u0022500\u0022 height=\u0022353\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022353\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:352px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002270\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022211\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_04.jpg\u0022 width=\u0022500\u0022 height=\u0022352\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022352\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:369px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002274\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022221\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_06.jpg\u0022 width=\u0022369\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022369\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:354px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002271\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_07.jpg\u0022 width=\u0022354\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022354\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:360px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_08.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002272\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_08.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022216\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_08.jpg\u0022 width=\u0022360\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022360\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:359px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_09.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002272\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_09.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022215\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_09.jpg\u0022 width=\u0022359\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022359\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:365px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_10.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_10.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022219\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC2002_MORB_MORC_PHOT_10.jpg\u0022 width=\u0022365\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;La Morbide\/dee\/sse\u0026quot;, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022365\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022La Morbide\/dee\/sse\u0022, 2002 | \u00a9 Elisabeth Morcellet - ADAGP, Paris 2012 | photographie : \u00a9 Yves Hayat | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-serie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESeries\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EL\u0026#039;habit\u00e9e\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ESimone Dibo-Cohen\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Estore\/company\/shopping mall\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ELaboratoire Janton\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E06 13 2002\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E6 rue du Congr\u00e8s\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003ETheoretical background\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003ECONTEXT\u003C\/p\u003E\u003Cp\u003EEXHIBITION\/SHOWING. The entire evening, the night, involves an explosion of energy with its galleries, its spaces, its artists and its multiple events. The programming plays on cultural overconsumption, on distraction and the fusion of genres. Explosion. Energie. Variety. Movement. The performance gives way to the presentation of its English version. All the scenic inspirations: street theatre, dance, actor\u2019s games, disguises\u2026 various attractions are invited. The goal is to attract, to shine, to make a mark, to stand out. In this principle of \u201ccirculation,\u201d my presence will be wandering but it will be inscribed in time, permanence, stopping. A pause.\u003Cbr\u003E \u003Cbr\u003E Elisabeth Morcellet\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Evid\u00e9o couleur, montage original projet\u00e9e pendant action et exposition\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecopie mise en boucle quatre fois soit 45 minutes x 4\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Evid\u00e9o rushes couleur\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecopie remont\u00e9e\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECARTON INVITATION (3) \u00ab  La nuit des Galeries \u00bb recto verso avec plan toutes galeries participantes\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECARTON DU LABORATOIRE d\u2019analyses Janton (1)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECARTE de visite de Marc Danyach\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab 7 NON-LIEUX GALERIE ART 7 \u00bb Sept espaces  avec adresse et artistes participants (1 page)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBROCHURE\/CATALOGUE couleur Galerie Art 7 \u00ab 7 NON LIEUX GALERIE ART 7 \u00bb 50 artistes : 7 pages couleur (impression mauvaise qualit\u00e9)  (+ copies)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab ART D\u2019AZUR \u00bb Suppl\u00e9ment Hebdomadaire \u00ab Le petit ni\u00e7ois \u00bb30 Mai 2002\u2026 \u00ab LA NUIT DES GALERIES \u00bb (page couverture et derni\u00e8re) avec 3 grandes photos et 3 portraits + article. Version galeriste sans trop de pr\u00e9cisions sur \u0153uvres pr\u00e9sent\u00e9es\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ERECHERCHE  PREPARATOIRE (textes tap\u00e9s)\u0026lt;br \/\u0026gt; a. \u00ab HISTOIRE VISUELLE MEDICALE DE E. \u00bb Liste images radiologiques (14 radios en 26 ans)\u0026lt;br \/\u0026gt; b. Manuscrit : DICTIONNAIRE d\u00e9finition \u00ab  Habiter \u00bb \u00ab  Morbide \u00bb \u00ab D\u00e9esse \u00bb \u00ab Morbidesse \u00bb et recherche titre. Pour les Habit\u00e9es c. Copie partie PLAN de Nice (1 page)\u0026lt;br \/\u0026gt; d. PLANS (1 page) dessin\u00e9 pour le premier espace propos\u00e9 chez le DOCTEUR ARNAULT G. avec indications ambiances couleur : cabinet, bureau, salle d\u2019attente, couloir entr\u00e9e et petit salon.\u0026lt;br \/\u0026gt;  e. DESSIN corps en pied lin\u00e9aire, \u00ab ELISABETH MORCELET ann\u00e9es radiologiques \u00bb 1975\u2026.2001 avec cadrage et dates localisant les zones trait\u00e9es ( + copies)\u0026lt;br \/\u0026gt; f. \u00ab HISTOIRE MEDICALE \u00bb Elisabeth Morcellet (1 page) avec interventions...\u0026lt;br \/\u0026gt; g.\u00ab CECI ETAIT NOTRE CORPS \u00bb TEXTE ENREGISTRE de 7 pages avec paragraphes : Je tu il elle nous vous ils elles ; Objectif m\u00e9dical ; L\u2019Art de la boucherie ; Corps sain ; Salle d\u2019attente ;Une couche ; Long temps ; Ma chambre ; La lumi\u00e8re ; Une patiente ; Notre p\u00e8re qui allait aux cieux : Fin. Ce texte sera enregistr\u00e9e sur une K7 SON et diffus\u00e9e pendant toute la dur\u00e9e de l\u2019expo et de la performance avec un additif improvis\u00e9 a la fin. Avec pri\u00e8res.\u0026lt;br \/\u0026gt; h.6 PLANCHES COULEURS MEDICALES. ANATOMIE HUMAINE\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPROJET FINAL LABO JANTON textes manuscrits\u0026lt;br \/\u0026gt; a. 7 NON LIEUX ACTION DALLE D\u2019ATTENTE et HALL. Timing en quatre parties. 45 mn pr\u00e9vues (1 page)\u0026lt;br \/\u0026gt; b. ACTION pr\u00e9vue avec CROQUIS. PLAN. Num\u00e9rotations actions. Emplacement radios. (1 page)\u0026lt;br \/\u0026gt; c. ACCESSOIRES ACTION\/INSTALLATION (1 page)\u0026lt;br \/\u0026gt; d. DIAPORAMA VIDEO (diapos non utilis\u00e9es finalement)\u0026lt;br \/\u0026gt; e. CARTON ACTION TIMING MEMO : accessoires\/ radios\/ Plans et mouvements pr\u00e9vus\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3327"}