{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ECentennial\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EPreparation:\u003C\/p\u003E\u003Cp\u003ESurvey and secret confabulation at the school, a few months before, to get acquainted with the \u201cexhibitors\u201d and the non-exhibitors of the inauguration. Preparation of a few \u201cslogans\u201d by some students, displaying their \u201cNON EXHIBITION.\u201d Final consultation for the moment of intervention. Quiet and complicity before the arrival of the officials. Each player ready for the right moment. It was decided that I\u0026nbsp; start with my brief action which would close with general \u201cfireworks.\u201d It seems that I have planted seeds here and there on the soil of the school, my 22 mini-\u003Cem\u003Ecartes blanches\u003C\/em\u003E given to \u201cnon exhibitors\u201d with their various texts, short and explicit.\u003C\/p\u003E\u003Cp\u003EAction:\u003C\/p\u003E\u003Cp\u003EEvening of the \u201cshowing.\u201d Opening exhibition. My action will take place at the moment of official discourse. \u201cDiscretely\u201d dressed in a black (otter) fur coat and black high-heels, I will distance myself from the crowd that is listening to the commentary about the event. I will take a central and intermediate position, between the line of spectators gathered standing up and a small group of \u201cauthorities.\u201d Once in place, I will drop my fur coat to my feet. I remain naked in heels with this black drapery, wearing at my neck my student card at the end of a string. Surprise reaction commentated on by the press the next day and the day after that. The stop in the discourse was quickly overtaken by the speaker (mustached) who, with a keen eye and open smile, concluded, \u201cWe always have fun in the decorative arts.\u201d According the interview survey for \u201creconstitution.\u201d The director of the school, annoyed, would have seen it in a different light. During the time of my first\u0026nbsp; surprise, an \u201carmy\u201d of a black marker, I wrote, visibly on my body, last name, first name, birthday, student card number. The public had had, themselves, their moment of distraction. They whispered, who, which, what, and plunged back into listening. Having finished my bodily inscriptions of belonging, I put my coat back on. I left the \u201cscene\u201d to meet up with the student accomplices. The group intervention will begin soon, with firecrackers, stink bombs and other ingredients to drive away the whole assembly. Had the discourse finished? Yes, according to the local press. Lots of noises, eruptions and smoke on the premises. It would finally seem\u0026nbsp; that the storm had passed, \u201call\u201d would meet at the buffet...Official version of the Nice-Matin of the next day. I don\u2019t remember anymore!\u003C\/p\u003E\u003Cp\u003ECritique:\u003C\/p\u003E\u003Cp\u003EThis was again about fighting against frames, limits, the fixity of any work. The collective work infiltrates an issue there. \u201cGroup\u201d work with collective reflection and taking of a personal position\/stance. Using my unbridled \u201ctalent\u201d to serve the common cause will henceforth be pretty rare. I was part of the lot named: student. I could only be allergic to the denomination and supplementary qualification which boxes in the human being, throughout his\/her existence. Would the tone of the time have contributed to this state of mind? Certainly! But my \u201crevolt\/rebellion\u201d will survive, in other ways, less direct, with its derivatives and diversions. My practice will continue to question. A game of the possible and the impossible. Response found, abandoned, illusory quest in experience...The fireworks will join the proclaimed truths. Each minute can change everything. The questionnaire on life remains open. For a new bait...\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Centenaire\u0022, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022Elisabeth Morecellet avant son action, au milieu des officiels\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | Elisabeth Morecellet avant son action, au milieu des officiels | photographie : \u00a9 Christian Potron | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022Elisabeth Morecellet avant son action, au milieu des officiels\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | Elisabeth Morecellet avant son action, au milieu des officiels | photographie : \u00a9 Christian Potron | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_02.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022Elisabeth Morecellet avant son action, au milieu des officiels\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | Elisabeth Morecellet avant son action, au milieu des officiels | photographie : \u00a9 Christian Potron | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Centenaire\u0022, 1981 | Elisabeth Morecellet avant son action, au milieu des officiels | photographie : \u00a9 Christian Potron | courtesy Elisabeth Morcellet\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_03.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Centenaire\u0022, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:341px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022205\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MORC1981_CENT_MORC_PHOT_04.jpg\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022Elisabeth Morcellet | photographie de la performance \u0026quot;Centenaire\u0026quot;, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022341\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EElisabeth Morcellet | photographie de la performance \u0022Centenaire\u0022, 1981 | photographie : \u00a9 DR | courtesy Elisabeth Morcellet\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-serie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESeries\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EIdentit\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EElisabeth Morcellet\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EVilla Arson\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00c9cole Nationale d\u2019Arts D\u00e9coratifs de la Villa Arson\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E03 06 1981\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-structure field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganization\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00c9cole Nationale d\u2019Arts D\u00e9coratifs de la Villa Arson\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E20 avenue Stephen Li\u00e9geard\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003ETheoretical background\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EIn reaction to the inauguration of the \u003Cem\u003ECentennial of Decorative Arts\u003C\/em\u003E, an explosive dispute\/challenge and challenge had been, orchestrated by the students of decorative arts at the ceremony with the officials. A student exhibition was presented on the premises. A number of students had \u201crefused\u201d to exhibit...\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EElisabeth Morcellet\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EWebsite\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.art-morcellet.fr\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.art-morcellet.fr\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ESur un papier cartonn\u00e9 blanc cass\u00e9 : collage (\u00e0 recoller), recouvert d\u2019une feuille protectrice :\u0026lt;br \/\u0026gt; Original d\u00e9coup\u00e9 jauni, lisible de Nice matin 7 Mars 1981 (5 x 13cm)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ESur un papier cartonn\u00e9 blanc cass\u00e9 : collage (\u00e0 recoller), recouvert d\u2019une feuille protectrice :\u0026lt;br \/\u0026gt; Original d\u00e9coup\u00e9 jauni, lisible du \u00ab Dauphin\u00e9-lib\u00e9r\u00e9 \u00bb 9 mars 1981 (4,5 x 7cm)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENOTES LECTURES\/IDEES. JRP N\u00b0 (19\/06\/80  03\/81)  \u201cCommunications et langages\u201d N\u00b047 Le d\u00e9tenu-\u00c9tudiant... Arthaud par Guy Scarpetta... ...\u201dRudiments pa\u00efens\u201d J.F.Lyotard LLL l\u2019\u00eatre est le nomm\u00e9....(JRP)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u201cLIVRE ROUGE\u201d extraits manu dat\u00e9s de 14 Mars 81  \u00e0  22 Juin 81\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab RECONSTITUTION \u00bb (21 x 29,7) T\u00e9moignage r\u00e9alis\u00e9 quelques mois plus tard, en Janvier 1981, aupr\u00e8s des spectateurs de l\u2019action (une vingtaine) pour \u00e9tudier la m\u00e9moire vivante de chacun sur l\u2019\u00e9v\u00e8nement. (liste des spectateurs connus)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab QUESTIONNAIRE GUIDE \u00bb vierge, manuscrit, pour t\u00e9moignage en huit questions pour interview : 1 page (+ autre version 1 page non utilis\u00e9)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EINTERVIEWS : 1  Dominique Carboni, \u00e9tudiante, n\u00e9e 08.07.58 \u00e0 Al\u00e9s. Une page recto\/verso lors de l\u2019interview,  r\u00e9inscrite en une page recto\/verso\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMOTS LEGAUX : 2 pages : COLONNES BLEUES d\u2019un lexique et vocabulaire judiciaire, extraits d\u2019annonces avec \u00ab enqu\u00eate \u00bb, \u00ab sanction \u00bb, \u00ab acte du d\u00e9lit \u00bb, \u00ab acteur du d\u00e9lit \u00bb, \u00ab accus\u00e9 \u00bb, \u00ab structure \u00bb, \u00bbacteur de la structure \u00bb, \u00ab accus\u00e9 \u00bb (encre bleue)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab ACTION RECONSTITUTION \u00bb 3 page manuscrite r\u00e9sumant les actions concern\u00e9es (7) + 3 pages 15 Janvier 1981 : \u00ab Enqu\u00eate \u00bb, \u00ab Indices de l\u2019enqu\u00eate \u00bb \u2026\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00ab COLLAGES FAITS DIVERS \u00bb 2 pages avec mots, phrases, coupures journaux  fait par  classement  par colonnes (en rouge) : \u00ab Au service de la justice \u00bb \u00ab Pendant le jugement \u00bb\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ETEXTES GENERAUX impliquant cette action :\u0026lt;br \/\u0026gt; \u00ab LE TRAVAIL ARTISTIQUE \u00bb notes manuscrites (encre bleue) sur travail, cinq page\u0026lt;br \/\u0026gt; \u00ab REPERTOIRE \u00bb notes manuscrites (encre bleue) sur travail, ACTION ANONYMAT\u0026lt;br \/\u0026gt; NORMALISATION notes manuscrite 1 page\u0026lt;br \/\u0026gt; \u00ab NOTES SUR LA PERFORMANCE \u00bb notes manuscrites (encre bleue) sur travail, quatre pages 24 Avril 1981\u0026lt;br \/\u0026gt;  \u00ab L\u2019ART EST UN ALIBI \u00bb note manuscrite (encre noire) sur travail, 1 page\u0026lt;br \/\u0026gt; \u00ab SITUATION PERSONNELLE EN RAPPORT AVEC LES AUTRES PRATIQUES ARTISTIQUES \u00bb notes manuscrites (encre bleue avec annotation rouge) sur travail, sept pages\u0026lt;br \/\u0026gt;  \u00ab 3 POINTS \u00bb 23 JUIN 1980  4 pages manuscrites\u0026lt;br \/\u0026gt; MONTAGE COLLAGE  textes manu : 1980\/1981 1 page\u0026lt;br \/\u0026gt; \u00ab FRAGMENTS\/JOURNAL EXTRAITS 14 Mars 81 \u00e0  22 juin 81 \u00bb dactylographi\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3321"}