{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EPermits of all types\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EA wooden structure made from flying buttresses from the basilica had been placed in the middle, tied, and covered with a plastic tarp. Painted construction boards had been placed along the walls. Several tables accommodated computers modifying my voice, computers playing chess with sound, and slide projector machines. Like an insect covered in super thin plastic, I gradually emerged from the wooden structure, with rhythms over the microphone, slowly intensifying until I was out of the structure. With straps, I carried blocks of ice that were sculpted from a moving model. Use of a BMW motorcycle to move among the beams, the sunshades, the audience members. Sonorous poetry combined with computers, synthesizing the artificial voice, and the voice stretched to high and low pitches. Alternating black and white combinations, I played with machines that released bitter and acidic odors. The body was pushed to rupture: apnea, blindness, lying down, crawling, climbing.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EBruno Mendon\u00e7a\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:332px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022199\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022332\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022332\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBruno Mendon\u00e7a | photographie de la performance \u0022Permis en tous genres\u0022, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:446px;height:299px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002267\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022201\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_02.jpg\u0022 width=\u0022446\u0022 height=\u0022299\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022446\u0022 height=\u0022299\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBruno Mendon\u00e7a | photographie de la performance \u0022Permis en tous genres\u0022, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:451px;height:301px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002267\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022200\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_03.jpg\u0022 width=\u0022451\u0022 height=\u0022301\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022451\u0022 height=\u0022301\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBruno Mendon\u00e7a | photographie de la performance \u0022Permis en tous genres\u0022, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:452px;height:303px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002267\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022201\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_04.jpg\u0022 width=\u0022452\u0022 height=\u0022303\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022452\u0022 height=\u0022303\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBruno Mendon\u00e7a | photographie de la performance \u0022Permis en tous genres\u0022, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:449px;height:301px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002267\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022201\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MEND1982_PERM_MEND_PHOT_05.jpg\u0022 width=\u0022449\u0022 height=\u0022301\u0022 alt=\u0022superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ.\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Permis en tous genres\u0026quot;, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022449\u0022 height=\u0022301\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBruno Mendon\u00e7a | photographie de la performance \u0022Permis en tous genres\u0022, 1982 | superposition de deux prises de vue pr\u00e9sentant Bruno Mendon\u00e7a pendant sa performance \u00e0 deux moments espac\u00e9s de 1 heure environ. | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Vicky Remy | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBruno Mendon\u00e7a\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBruno Mendon\u00e7a\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ehistorical space\/place of worship\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAncien Couvent Royal\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E1982\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-structure field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganization\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EColl\u00e8ge d\u0026#039;\u00e9changes contemporains\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022premise\u0022\u003Ebasilique\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ESaint-Maximin-la-Sainte-Baume\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBackground\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFor the private showing \u003Cem\u003EPermis en tous genres (\u2018Permits of all types\u2019)\u003C\/em\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ein \u003Cem\u003EPermis en tous genres\u003C\/em\u003E, catalogue du Coll\u00e8ge d\u0027\u00e9changes contemporains, St- Maximin, 1982\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EWebsite\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/bruno-mendonca.com\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/bruno-mendonca.com\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecarton d\u0026#039;invitation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENice Matin, 22 juin 1982\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E dessins pr\u00e9paratoires \u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3288"}