{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EIt\u0026#039;s the Molecules\u2019 Turn Now\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EThe entire gallery, walls  and floor, was covered with clear plastic. Seven sculptures were installed, a work table, a slide projector for specially painted slides, machines for fiddling with the sound and with the color of the lamps. I also installed a sound system, a tape recorder and an editing table to broadcast the 24 tapes of the sound track that was made specifically to accompany this 24 hour nonstop performance. A camera completed this device.\u003Cbr \/\u003E\u003Cbr \/\u003EMoving the sculptures, putting them down on the floor like mummies. This first step announced  the action, which unfolded progressively by placing sand, rocks, stones, apples and objects retracing a \u201c natural history\u0022 of the relationship between performance-body-sculpture. The action unfolded very slowly. The light spectrum was set thanks to machines which turned the spotlights on and off. Slides were shown with the first cutting of a sculpture in two with a chainsaw. Apples were placed in the cells and the pieces were turned around. The 24 tapes were broadcast during the entire action, with more or less intensity.\u003Cbr \/\u003E\u003Cbr \/\u003EIn the middle of the night I worked at the table with acrylic paint on 110 x 75 cm and 65 x 50 cm canvases. I made a series of cells, I finished the details of certain pieces to give them a realistic organic aspect. A dozen pieces were painted. Others were done by piecing together various hand cut sheets of paper. I worked until morning, had breakfast after.\u003Cbr \/\u003E\u003Cbr \/\u003EI reworked on the initial set-up with acrylic paint, repainting some of the parts of the cutup sculptures, and on the plastic sheet covering the floor, which looked like a memory yard sale. I unrolled some tapes and glued fragments of them on fragments of the sculptures.\u003Cbr \/\u003E\u003Cbr \/\u003EI painted my ABAQUES signs with a size 10 brush and black paint, I covered the gallery space with a crowd of intermingled signs. Once the gallery was painted, with the same black paint I continued tracing the signs on the floor and on the sculptures with a smaller paintbrush.\u003Cbr \/\u003E\u003Cbr \/\u003EWith a microscope I observed samples of my blood, and of various materials, which I copied with one hand and one eye on the paper, and with the other eye fixed on the molecules. I finished the performance at 6 PM, after 24 hours of nonstop actions.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EBruno Mendon\u00e7a\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n              \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item odd \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EThe entire gallery, walls  and floor, was covered with clear plastic. Seven sculptures were installed, a work table, a slide projector for specially painted slides, machines for fiddling with the sound and with the color of the lamps. I also installed a sound system, a tape recorder and an editing table to broadcast the 24 tapes of the sound track that was made specifically to accompany this 24 hour nonstop performance. A camera completed this device.\u003Cbr \/\u003E\u003Cbr \/\u003EMoving the sculptures, putting them down on the floor like mummies. This first step announced  the action, which unfolded progressively by placing sand, rocks, stones, apples and objects retracing a \u201c natural history\u0022 of the relationship between performance-body-sculpture. The action unfolded very slowly. The light spectrum was set thanks to machines which turned the spotlights on and off. Slides were shown with the first cutting of a sculpture in two with a chainsaw. Apples were placed in the cells and the pieces were turned around. The 24 tapes were broadcast during the entire action, with more or less intensity.\u003Cbr \/\u003E\u003Cbr \/\u003EIn the middle of the night I worked at the table with acrylic paint on 110 x 75 cm and 65 x 50 cm canvases. I made a series of cells, I finished the details of certain pieces to give them a realistic organic aspect. A dozen pieces were painted. Others were done by piecing together various hand cut sheets of paper. I worked until morning, had breakfast after.\u003Cbr \/\u003E\u003Cbr \/\u003EI reworked on the initial set-up with acrylic paint, repainting some of the parts of the cutup sculptures, and on the plastic sheet covering the floor, which looked like a memory yard sale. I unrolled some tapes and glued fragments of them on fragments of the sculptures.\u003Cbr \/\u003E\u003Cbr \/\u003EI painted my ABAQUES signs with a size 10 brush and black paint, I covered the gallery space with a crowd of intermingled signs. Once the gallery was painted, with the same black paint I continued tracing the signs on the floor and on the sculptures with a smaller paintbrush.\u003Cbr \/\u003E\u003Cbr \/\u003EWith a microscope I observed samples of my blood, and of various materials, which I copied with one hand and one eye on the paper, and with the other eye fixed on the molecules. I finished the performance at 6 PM, after 24 hours of nonstop actions.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EBruno Mendon\u00e7a\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:365px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MEND1982_MOLE_GOAL_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002273\u0022 alt=\u0022Pendant la nuit\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Au tour des mol\u00e9cules\u0026quot;, 1982 | Pendant la nuit | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MEND1982_MOLE_GOAL_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022219\u0022 alt=\u0022Pendant la nuit\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Au tour des mol\u00e9cules\u0026quot;, 1982 | Pendant la nuit | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MEND1982_MOLE_GOAL_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022365\u0022 alt=\u0022Pendant la nuit\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Au tour des mol\u00e9cules\u0026quot;, 1982 | Pendant la nuit | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022365\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBruno Mendon\u00e7a | photographie de la performance \u0022Au tour des mol\u00e9cules\u0022, 1982 | Pendant la nuit | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:386px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MEND1982_MOLE_GOAL_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002277\u0022 height=\u0022100\u0022 alt=\u0022La journ\u00e9e\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Au tour des mol\u00e9cules\u0026quot;, 1982 | La journ\u00e9e | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MEND1982_MOLE_GOAL_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022232\u0022 height=\u0022300\u0022 alt=\u0022La journ\u00e9e\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Au tour des mol\u00e9cules\u0026quot;, 1982 | La journ\u00e9e | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MEND1982_MOLE_GOAL_PHOT_02.jpg\u0022 width=\u0022386\u0022 height=\u0022500\u0022 alt=\u0022La journ\u00e9e\u0022 title=\u0022Bruno Mendon\u00e7a | photographie de la performance \u0026quot;Au tour des mol\u00e9cules\u0026quot;, 1982 | La journ\u00e9e | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022386\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EBruno Mendon\u00e7a | photographie de la performance \u0022Au tour des mol\u00e9cules\u0022, 1982 | La journ\u00e9e | \u00a9 Bruno Mendon\u00e7a | photographie : \u00a9 Fran\u00e7ois Goalec | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBruno Mendon\u00e7a\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBruno Mendon\u00e7a\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EBruno Mendon\u00e7a\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Egallery\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EGalerie Catherine Issert\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E1982\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECatherine Issert\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EJennifer Flay\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ESaint-Paul de Vence\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003ETheoretical background\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003Ethis performance wanted to provide for 24 hours a place for meetings, for actions, for scientific, linguistic, poetic and plastic events, where the body would react to the duration, to the ritual involved.\u003Cbr \/\u003E\u003Cbr \/\u003EIt was the continuation of a series of performances exploring space, the relationship between sound poetry and texts, sounds, recordings, programming of the first computers with synthetic voices. The series started in a cave in Saint-Jeannet in 1976 for 76 hours nonstop. Painting, writing, declaiming in total darkness and in the end discovering the result: nine 65 x 50 cm drawings and ten 15F paintings. There were nine hours of recordings. This performance was a continuation of the events I had programmed collectively on the Riviera.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EBruno Mendon\u00e7a\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ein \u003Cem\u003EBruno Mendo\u00e7a, Biblioth\u00e8ques \u00e9ph\u00e9m\u00e8res\u003C\/em\u003E, Editions de l\u0027Ormaie, 2002\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EWebsite\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/bruno-mendonca.com\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/bruno-mendonca.com\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eune mauvaise bande vid\u00e9o VHS in\u00e9gale\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-notes field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ENotes\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ELa galeirie Catherine Issert en a t\u0026#039;elle conserv\u00e9 des exemplaires?\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecarton d\u0026#039;invitation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENice Matin, 22 juin 1982\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPresse\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAxe Sud n\u00b04-5, \u00e9t\u00e9 1982\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Edocuments pr\u00e9paratoires: dessins, photos, plans\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3287"}