{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ETop 48 Ball\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EThe first ball-performance, organized by Florent Mattei, begins with a video performance produced in 2006 entitled \u003Cem\u003ETop 48\u003C\/em\u003E. In this video, Florent Mattei dances alone in front of the camera to the track of his \u003Cem\u003ETop 48\u003C\/em\u003E. It\u2019s a compilation of 48 songs that have marked his life and memories. He dances non-stop until the last song, to the point of exhaustion. Florent Mattei installs speakers next to the MAMAC showcase.\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n              \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item odd \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EThe work Florent Mattei has been building for the past decade invites reflection on the profoundly human ideal of perfection, and the impossible, derisory seduction that translates in publicity images and art. Florent Mattei catches our eye, now stereotypical and passive, by capturing accidents, parasites in his photographs. In his series \u003Cem\u003ELes Incontr\u00f4lables\u003C\/em\u003E, he turns the original meaning from an seemingly ultra-controlled image with a detail that condemns it to ridicule. In \u003Cem\u003EThe world is perfect\u003C\/em\u003E, he seems to make fun of himself by inventing a \u003Cem\u003Ejet set\u003C\/em\u003E universe. Going in the opposite direction, in the series \u003Cem\u003EL\u2019\u00cele fantastique\u003C\/em\u003E, he transforms reality into fiction, cementing real couples into a stereotypical attitude of what constitutes the ideal family. In this way, the artist questions malleable identity, infested with codes and finally reduced to nothing with \u003Cem\u003ENobody\u003C\/em\u003E, a series of self-portraits where only the accessory changes. \u003Cem\u003EMy life\u003C\/em\u003E extends this work of denaturation of visual codes by proposing, why not, a reappropriation of an object too strongly symbolized\u0026nbsp;: the habit. Posing with a woman and child, both in habits, Florent Mattei invents a fight to free an object of its chains of meaning. A nice proposal to contrast laughter with fear.\u003C\/p\u003E\u003Cp\u003E\u003Cem\u003ETop 48\u003C\/em\u003E: July 4, 2006, blistering hot summer day. Florent Mattei danses alone in his living room for two hours and fifty five minutes. In front, a camera to give evidence to the effort, behind, 48 tracks found and compiled, from Tino Rossi to Philippe Katerine, more or less methodic inventor of music that have marked his life.\u003C\/p\u003E\u003Cp\u003EEach time, the play and laughter infect the codes and conventions of the image, leaving the field open to tell other stories. Or then the burlesque becomes a fresh reappropriation of the world.\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFlorent Mattei\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFlorent Mattei\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emuseum\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMus\u00e9e d\u0026#039;Art moderne et d\u0026#039;Art contemporain (MAMAC)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E09 21 2007\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003EPromenade des Arts\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Evitrine de l\u0026#039;atelier d\u2019art contemporain\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:228px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/MATT2007_BALD_MATT_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002276\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Florent Mattei | trace de la performance \u0026quot;Bal du Top 48\u0026quot;, 2007 | \u00a9 Florent Mattei | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/MATT2007_BALD_MATT_DOCI_01.jpg\u0022 width=\u0022228\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Florent Mattei | trace de la performance \u0026quot;Bal du Top 48\u0026quot;, 2007 | \u00a9 Florent Mattei | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/MATT2007_BALD_MATT_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022228\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Florent Mattei | trace de la performance \u0026quot;Bal du Top 48\u0026quot;, 2007 | \u00a9 Florent Mattei | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022228\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EFlorent Mattei | trace de la performance \u0022Bal du Top 48\u0022, 2007 | \u00a9 Florent Mattei | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E affiche du bal \u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3262"}