{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EMy Collection of Words for Evil\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EChildren are forbidden to play in the building\u2019s hallway \u2013 de France Delville (excerpts)\u003C\/p\u003E\u003Cp\u003E\u201c...The word as an action, as a practice, the word generator of events, of works, of other words, in the open system that is art, it is Mas that says so, the word as an object that falls on your head, and that you hear it sound as if for the first time. He is going to get the words nesting in the stairwell corners...Jean Mas is the troublemaker in the Ecole de Nice, already so percussive. With his \u201ctakes\u201d in the most daily of daily life, he holds up to us a funny mirror...\u201d\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EAllocution PerforMas (excerpts):\u003C\/p\u003E\u003Cp\u003EHere I am facing all these things: signs, words I sometimes fancy calling my \u201ctakes.\u201d Mistake that never enters the ear, if it isn\u2019t to highlight the meaning of a text and a situation evoked by the written or special medium. My takes; medicine, drugs, but more precisely \u201cspace of place\u201d that I attend to, that I treat by offering an escape. Each take provoking in me a sort of jubilation, intense excitement that only ceases sometime after I have filed away the last arrival following others in one of the collection\u2019s cardboard boxes.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EReading of takes: the approach\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThe approach could be semiological: science of all meanings, it joins taxonomy which would ensure the classifying that the meaningful division implicates.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThe psychoanalytical approach.\u003C\/p\u003E\u003Cp\u003EIt will be pertinent each time to suggest and highlight the emergence of something unspoken, of a polysemy, of a rapport structuring meaning in what we call discourse of the unconscious.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThe artistic approach.\u003C\/p\u003E\u003Cp\u003EThe Artistic blurredness, the style, syntagm and paradigm. Laying claim to an artistic approach: the creator of words.\u003C\/p\u003E\u003Cp\u003EI find it necessary to now question what can constitute \u201csquare one\u201d of a work, that is to say, defining an assembly of data that authorizes a tilting over in the artistic field.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThe intervention of a third (artist) is indispensable. He becomes the game master, playing with a bait, that of a metalanguage that he will produce from his position as an artist.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThe artist, here Jean Mas, is a creator looks, and it is by his choice to cut off a part of the world that he organizes next, that is act of creation is built.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003ECreating looks, it is to engender a mode of original reading, it is to broaden the field of perception. The master of the look will be that which, in giving it sight, allows it to understand...\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EWe can now, empowered by these approaches\u2019 suggestions, discover the collection...\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:331px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1996_MOTS_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Ma collection des mots aux maux\u0026quot;, 1996 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1996_MOTS_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022199\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Ma collection des mots aux maux\u0026quot;, 1996 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1996_MOTS_MASJ_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022331\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Ma collection des mots aux maux\u0026quot;, 1996 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022331\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022Ma collection des mots aux maux\u0022, 1996 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Egallery\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EGalerie Alexandre de la Salle\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E1996\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ESaint-Paul de Vence\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecit\u00e9 in \u003Cem\u003EPerformas, 40 ans d\u0027art d\u0027attitude\u003C\/em\u003E, Alain Amiel, 2010\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3248"}