{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EThe child\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EINTRODUCTION\u003Cbr \/\u003EAgain, it is for the artist to close ...\u003Cbr \/\u003E... Does this allow me to talk about the child?\u003Cbr \/\u003E\u003Cbr \/\u003EI wanted to be here tonight in the required return to Freud.\u003Cbr \/\u003ELet me refer to the \u0022tripe-seller of genius\u0022 (Lacan).\u003Cbr \/\u003EIt would be futile to apply psychoanalysis to art, but showing the relationship, the distinction where apparently there is a severance, an emptiness ... Establishing links between the conscious and the unconscious, the pathological and the nonpathological (if not the normal), the individual- species, the child - adult, and lastly between different cultural productions and representation, and the affect, base of our artistic query.\u003Cbr \/\u003EThere is no application of any method not involved in the art world since the method is one. It is only the repetition of the same, of the same core. This is what, in the spirit of Freud, allows to consider psychoanalysis as a science of investigation without reducing it to the purely clinical aspect to which it seems to be confined. Freud compares the fascination proceding from an artwork to the repetition based on the father that every child should exert. In a period of fascination in which the artwork (mediator, compromise) is a model succeed the moment of \u0022murder\u0022, of rejection.\u003Cbr \/\u003E\u0022The psychoanalyst interpreter works on Eros\u2019 service, solving enigmas originating from mental productions or others (art works) since they are compromises. It is re-establishing contact. \u0022\u003Cbr \/\u003E\u003Cbr \/\u003EWithout doubt there is the only point where the deception that communication is finds a plausible (possible) speculation between a work of art and its understanding.\u003Cbr \/\u003EThis is what Freud says: \u0022Art frees the artist from his fantasies,\u0022 artistic creation\u0022 avoids neurosis and is a substitute for psychoanalysis. However, it must be said that the cure is played without being understood \u0022(Kofman)? The vulture in the folds of of St. Anne\u2019s dress...\u003Cbr \/\u003E\u003Cbr \/\u003EWhat Freud says again is that saying the name is not understanding the work, find the author\u2019s name, his father the creator, is being in a theological conception of art ( the expert), a consideration that Freud intends to expose.\u003Cbr \/\u003EFrom the statue of Moses whose author is known to all, we are still to understand why it moves us, what were the intentions of the artist in the carving.\u003Cbr \/\u003Eonly the work of art can tell us these intentions, by its own writing, by its formal structure, independently from the sort of critics Michelangelo would emit. His true intentions are not conscious.\u003Cbr \/\u003EThe theological conception admits a conscious subject, free, father of his works. Here Freud deconstructs the metaphysical conception of the subject. It\u0027s not him who speaks, it\u2019s the text (without reducing the text to its literality).\u003Cbr \/\u003EOf course, Freud leaves to the connoisseurs of art the specificity of art, that is to say the values, shapes and techniques in what makes the history of art.\u003Cbr \/\u003E\u003Cbr \/\u003EThe text scrolls.\u003Cbr \/\u003ENext, slowly unwrap a package, wield a large wooden mallet.\u003Cbr \/\u003ESay \u0022art but ... \u0022, of Freud, the condition.\u003Cbr \/\u003ESpeak about the Army, the substance, the form.\u003Cbr \/\u003E\u003Cbr \/\u003EAction: destroy the radio with the mallet.\u003Cbr \/\u003E\u003Cem\u003EJean Mas gets up, takes a club and smashes his radio cassette player yelling wild cries. He retrieves the tape, then, unperturbed:\u003Cbr \/\u003E\u003C\/em\u003E\u003Cbr \/\u003EIn this process, the child can only be in the artist\u2019s tracks.\u003Cbr \/\u003ELinking affect to representation is indeed unique to human development, without which, without this link, anguish takes place. Anxiety, lest a meaning were bound to an affect. Providing such a bound  is the very task of the analytic cure.\u003Cbr \/\u003EThe artist, great man and substitute hero and killer of the Father, acknowledges the superiority of artists in their  being able to know  man while avoiding the working detour the scientist must operate.\u003Cbr \/\u003EIn this infancy of art, Freud tells us that the artwork is intermediate between dream and archaic writing. Just like a dream, the piece of art does not speak and its ultimate goal is not communication.  Just like the dream of which it is here the paradigm. Art is governed by processes endowed with their own expressiveness generating a specific text that is not the translation of a prior text .\u003Cbr \/\u003E\u003Cbr \/\u003EIn dream, as in art, there is only one text disclosing its meaning from its deformation. The true meaning, the latent content is only given in the manifest content. The content does not separate from the form, there is no metalanguage. The text of art as well as that of dreams tend more towards a figuration than towards a  representation referred to a presence and to one or more external signifiers (display of Bettina Rheims\u2019 photographic work , the \u0022Animal\u0022 Series, Beaubourg Notre Dame des Fleurs, Gallery, Vence).\u003Cbr \/\u003E\u003Cbr \/\u003EI propose to consider the child globally on the figural model, that is to say art.\u003Cbr \/\u003EThat is to say that the child, art himself, can not make art because he is himself art, not distinct between form and content.\u003Cbr \/\u003EThis is the polymorphous perverse!\u003Cbr \/\u003E\u003Cbr \/\u003ERepresentation, the representative mode allows him to slip into the adult world, that is to say that of a good measure, a good distance. Preparing a child to confront, to slip into adult life, is giving him that sense (nothing to do with Confucius\u2019 Middle Way).\u003Cbr \/\u003E\u003Cbr \/\u003EThere is the formula of the child at birth: 1 on infinity\u003Cbr \/\u003E infinity on 1, it is God\u2019s formula: infinity on 1.\u003Cbr \/\u003E\u003Cbr \/\u003EIt is God the Divine (the said vain). This is not debatable. This is the mathematical representation of God.\u003Cbr \/\u003EThe child is necessarily born divine, son of God and of his incarnation hence (A). The Messiah, son of God could only be conceived by the Immaculate Conception, the Virgin, the Holy Spirit, that is to say, the son of God (God agent).\u003Cbr \/\u003ETheodicy is defending the idea of God, that is to say the One. Without the idea of God, every thought would be impossible (the big Other, the Phallus).\u003Cbr \/\u003EThe zero comes after but let\u0027s leave that aside for a moment. We willtake the matter up.\u003Cbr \/\u003ELet\u2019s rather see where our child evolves:\u003Cbr \/\u003EIt is the opposite of God, it is the monad,  it is the Ego in its concrete fullness, the Ego reported to a \u0022sphere of belonging\u0022, to the sphere of its possessions. But I, monad, find in the sphere that belongs to me, the mark of something that is not mine, that is alien to me; I can therefore constitute an objective nature to which both belong the other and myself.\u003Cbr \/\u003EThe body actualizes the exigency of the Being, to be immediately present (when we do not have that, I can say that we are drifting into schizophrenia).\u003Cbr \/\u003EAs we know, the Ego is not the master.\u003Cbr \/\u003ELet\u2019s leave aside this other story with the big Other and let\u2019s take up the game of good distances.\u003Cbr \/\u003EFirst unfigured measure: the penis, castration giving the measure of the proper distance; having it- not having it, it is adorned (parted from it) that the little girl is wearing jewellery, the woman veils her nudity because (as it is noted by Freud), she has nothing to hide (Freud recalls that it was she who invented weaving).\u003Cbr \/\u003E\u003Cbr \/\u003EThe right distance in contemporary art can be found in the sayings of Sturtevant, Kofman, Catherine Cl\u00e9ment, and of course Lacan.\u003Cbr \/\u003EThe singularity of the model generates the singularity of the replica according to Wittgenstein.The contradiction between the two is \u0022contradictory\u0022 but not contrary.\u003Cbr \/\u003EGood measure, a safe distance, we must here consider the point of view (Deleuze).\u003Cbr \/\u003EThe point of view is the failing center\u2019s substitute, it is in every area of variation, a power to put cases in order, the condition of the appearance of the real.\u003Cbr \/\u003EThe point of view is to be reflected upon with Leibniz. To sum it up: first good measure, then the right distance and then if possible for an adult, the point of view.\u003Cbr \/\u003EHere\u0027s my exorcism sequence for you to test your point of view ... To perform satisfying exorcism, in principle , it should be done at midnight ....\u003Cbr \/\u003E\u003Cbr \/\u003EAction: Jean Mas plays the \u0022exorcism\u0022 sequence \u003Cbr \/\u003E\u003Cbr \/\u003EMy work is haunted, I can not stand it anymore. So far, I am the only artist to perform exorcisms of artworks, by the way, it deserves to be known, it is a new niche.\u003Cbr \/\u003EFreud offers several times the metaphor of a puzzle game, about the reconstruction of the true story,that has been lived and lost. Delirium owes its convincing power to the element of historical truth that it inserts in the place of the rejected reality.\u003Cbr \/\u003EFrom construction to construction, from version to version, from interpretation to interpretation without reaching, of course, an unexisting original text, analysis is necessarily endless. The quitting can be justified by the acquired possibility, due to the proposed constructions, to add different pieces together to form a meaningful whole and fill the space.\u003Cbr \/\u003E\u003Cbr \/\u003EFreud writes: \u0022After many attempts, we know with certainty at the end which piece belongs to the empty hole.\u0022 He adds that this is likely, that the likelihood is not always true, that the real is not likely. We are here in the point of view that I mentioned earlier. The conclusions drawn from the hypothesis that Moses was an Egyptian were only supported by mental probabilities. Thus, any analytical interpretation of a work of art is a \u0022psychoanalytic novel\u0022 or even a delirium. But this method , according to Freud, prevails, with its qualities of internal consistency, on any other one, especially that of the aestheticians...\u003Cbr \/\u003EFantasy, as an afterthought story allows art to function as a specific memory for the reconstruction of the author\u2019s fantasies.\u003Cbr \/\u003EJean Mas cites some of his works: shit crackers, bubble, flies cages as infantile mental memory substitute (Mas cites Boltanski).\u003Cbr \/\u003ESuppose someone knows perfectly his history, the artwork is neither possible nor necessary, automatons do not do art (as it actualizes their freedom).\u003Cbr \/\u003EThe work of art, primal inscription, is always already a substitute, a SYMBOLIC SUBSTITUTE.\u003Cbr \/\u003EAccording to Freud, every representation is the substitute of a primal absence of sense or is always, from  substitute to substitute, without ever reaching a primal signified, only fantasized by desire.\u003Cbr \/\u003EIn the analysis of Leonardo Da Vinci\u2019s childhood memory , Freud notices that \u0022 Mona Lisa\u2019s smile (mother) is an invention of art. \u0022\u003Cbr \/\u003EThe piece of art carries within itself the traces of the past, they are nowhere else. The artwork does not translate result memory by its distortion.\u003Cbr \/\u003EThe artist, through unconscious mental processes, through affects and their transformation in the combinatorial representations, tries to repeat what the child does in his games, before reason and judgment come to impose their constraints.\u003Cbr \/\u003EArt is a substitute for the infantile game.\u003Cbr \/\u003EWith puns, wit, or through art, men can recover what was lost by cultural progress: good humour, Freud tells us.\u003Cbr \/\u003EThis euphoria is nothing but the mood of an age, that of our childhood when we were incapable of wit and needn\u2019t humour to taste the joy of living.\u003Cbr \/\u003ELike any substitute, it repeats in the difference the mastering of the primary processes by the preconscious system. It is through play that children acquire control of the primary process. The artist, in addition to this control, has that of the original means that are obviously his own.This lack of control characterizes the art brut.\u003Cbr \/\u003EAccording to Nietzsche and Freud, the world is only a game for innocent children directed by chance and necessity, and true Art exists when life, in its eternal return, repeats in the difference sorrows and joy , creations and decreations.\u003Cbr \/\u003EThank you.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EJean Mas\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:398px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002280\u0022 alt=\u0022videogramme\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | videogramme | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022239\u0022 alt=\u0022videogramme\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | videogramme | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022398\u0022 alt=\u0022videogramme\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | videogramme | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022398\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | videogramme | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:367px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002273\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022220\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_02.jpg\u0022 width=\u0022500\u0022 height=\u0022367\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022367\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_03.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_04.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_04.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_05.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_06.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_06.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_07.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_07.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_08.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_08.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_08.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_09.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_09.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_09.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:375px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_10.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002275\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_10.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022225\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_10.jpg\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022375\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:367px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_11.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002273\u0022 alt=\u0022Capture d\u0026#039;\u00e9cran de la vid\u00e9o de la performance\u0022 title=\u0022Jean Mas | trace de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | Capture d\u0026#039;\u00e9cran de la vid\u00e9o de la performance | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_11.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022220\u0022 alt=\u0022Capture d\u0026#039;\u00e9cran de la vid\u00e9o de la performance\u0022 title=\u0022Jean Mas | trace de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | Capture d\u0026#039;\u00e9cran de la vid\u00e9o de la performance | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_11.jpg\u0022 width=\u0022500\u0022 height=\u0022367\u0022 alt=\u0022Capture d\u0026#039;\u00e9cran de la vid\u00e9o de la performance\u0022 title=\u0022Jean Mas | trace de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | Capture d\u0026#039;\u00e9cran de la vid\u00e9o de la performance | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022367\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | trace de la performance \u0022L\u0027enfant\u0022, 1995 | Capture d\u0027\u00e9cran de la vid\u00e9o de la performance | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:367px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_12.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002273\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_12.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022220\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_PHOT_12.jpg\u0022 width=\u0022500\u0022 height=\u0022367\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022367\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | \u00a9 Jean Mas | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:353px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1995_ENFA_MASJ_MIXT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002271\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1995_ENFA_MASJ_MIXT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1995_ENFA_MASJ_MIXT_01.jpg\u0022 width=\u0022353\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;L\u0026#039;enfant\u0026quot;, 1995 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022353\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022L\u0027enfant\u0022, 1995 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eadministration\/hospital\/community center\/school\/university\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFacult\u00e9 des Lettres, Arts et Sciences Humaines\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E05 30 1995\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBackground\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAs part of a psychoanalysis seminar led by Patrick Amoyel.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecit\u00e9 in \u003Cem\u003EJean Mas, trente ans de Performas\u003C\/em\u003E, Alain Amiel, 2008\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\n\u003Cdiv class=\u0022embedded-video\u0022\u003E\n  \u003Cdiv class=\u0022player\u0022\u003E\n    \u003Ciframe class=\u0022\u0022 id=\u0022vimeo-55266754\u0022 width=\u0022550px\u0022 height=\u0022360px\u0022 src=\u0022\/\/player.vimeo.com\/video\/55266754?width=550px\u0026amp;height=360px\u0026amp;color=00adef\u0026amp;portrait=1\u0026amp;title=1\u0026amp;byline=1\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;player_id=vimeo-55266754\u0022 frameborder=\u00220\u0022 webkitAllowFullScreen mozallowfullscreen allowfullscreen\u003E\u003C\/iframe\u003E  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\n        \n\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ECapture vid\u00e9o de la performance de Jean Mas \u00e0 la Facult\u00e9 des Lettres, Arts et Sciences Humaines de Nice.\u003Cbr\u003EExtrait du film \u0022Un \u0027Peu\u0027 de Jean Mas\u0022.\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3247"}