{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EHarangues\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EJean Mas openly gathers, harangues, and then insults the audience. Here is the text that he pronounced to his audience:\u003C\/p\u003E\u003Cp\u003EIt is with the Maoist idea of a guide for the people that I have done this performance:\u003C\/p\u003E\u003Cp\u003E\u201cYou needed a guide, now you have one!\u201d\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003ELadies and Gentlemen, People here today:\u003C\/p\u003E\u003Cp\u003EI have the pleasure of being with you tonight for a memorable evening.\u003C\/p\u003E\u003Cp\u003E\u201cHarangues 2\u201d is a variation of \u201cHarangues 1\u201d which was place for the first time at the Galerie Le Chanjour on March 8, 1992.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EHarangues includes 3 phases:\u003C\/p\u003E\u003Cp\u003E\u2013 1\/ Gathering.\u003C\/p\u003E\u003Cp\u003E\u2013 2\/ Haranges.\u003C\/p\u003E\u003Cp\u003E\u2013 3\/ Insults.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EChild, for a long time I confused \u201cun livre\u201d (a book) with \u201cune livre\u201d (a pound). For Freud, if the denial of castration creates psychosis, it is very much in the step (this progress forward) denied that the Subject settles.\u003C\/p\u003E\u003Cp\u003EAlso, it always seeks by repetition to gather.\u003C\/p\u003E\u003Cp\u003EInstitutions are born from gatherings. The shopping cart is suitable for all purchases, even if they are of analysis.\u003C\/p\u003E\u003Cp\u003EThis is the ultimate gathering place for healthy weight [of the \u2018baby\u2019]\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003E1\/ GATHERING\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EIf you came tonight in such great numbers, it is because, at your core, at the deepest point of your being, you feel the need, the urgent need to regroup, to join forces, to get out of this country in a rut.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EPerseverance in the effort, we are going to lead it into a battle that will drive our Motherland to renew the sacred alliance, the indissoluble bond of blood and soil.\u003C\/p\u003E\u003Cp\u003EIt is the absolute duty of the People\u2019s government, finally awoken, to consolidate the National uprising to achieve this destiny.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EOnly this great line \u2013 from which we must never separate \u2013 allows, if we focus on it with an imperturbable logic, the assurance of ultimate success. Then and only then will we be able to see to our astonishment what immense results, barely comprehensible, we end up with, thanks to such a great perseverance.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003E2\/ HARANGUES 2\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003ETonight is a big night: We needed a guide, we have one!\u003C\/p\u003E\u003Cp\u003EIf you came tonight in such great numbers, it is because, at your core, at the deepest point of your being, you feel the need, the urgent need to regroup, to join forces, to break out of literature and art in a rut.\u003C\/p\u003E\u003Cp\u003EWe needed a guide, we have one!\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EPerseverance in the effort, we are going to lead it into a battle that will drive our Motherland to renew the sacred alliance, the indissoluble bond of ink and penholder.\u003C\/p\u003E\u003Cp\u003EWe needed a guide, we have one!\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EIt is the absolute duty of the People\u2019s government and of the editors, finally awoken, to consolidate the National uprising of the writers to achieve this destiny.\u003C\/p\u003E\u003Cp\u003EWe needed a guide, we have one!\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EOnly this great line \u2013 from which we much never separate \u2013 allows, if we focus on it with an imperturbable logic, and the periods and the commas without forgetting the umlauts, the assurance of ultimate success.\u003C\/p\u003E\u003Cp\u003EWe needed a guide, we have one!\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThen and only then will we be able to see to our astonishment what immense results, barely comprehensible, we end up with, thanks to the guide of Art and of Z\u2019\u00c9ditions.\u003C\/p\u003E\u003Cp\u003EWe needed a guide, and now we have one!\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003E3\/ INSULTS.\u003C\/p\u003E\u003Cp\u003EIn the spirit of interaction between writing and painting, since Z\u2019\u00c9ditions and painting are very much linked, I invite you to prepare yourselves for a great combat by addressing you, under the guise of insults, what you will never hear here.\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:323px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002265\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022194\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_01.jpg\u0022 width=\u0022323\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022323\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022Harangues\u0022, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:329px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022197\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_02.jpg\u0022 width=\u0022500\u0022 height=\u0022329\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022329\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022Harangues\u0022, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:330px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022198\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1993_HARA_MASJ_PHOT_03.jpg\u0022 width=\u0022500\u0022 height=\u0022330\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Harangues\u0026quot;, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022330\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022Harangues\u0022, 1993 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eexperimental space\/artist\u0026#039;s studio\/at home\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EZ\u0026#039;\u00e9ditions\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E1993\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecit\u00e9 in \u003Cem\u003EPerformas, 40 ans d\u0027art d\u0027attitude\u003C\/em\u003E, Alain Amiel, 2010\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E","nid":"3241"}