{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EFreud\u2019s Glass of Cognac\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EAction: reading of Freud\u2019s letter to Doctor Fliess of April 20, 1986 and chugging a glass of cognac.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EAddress by Jean Mas:\u003Cbr\u003E\u201cThis way to the good life!\u003Cbr\u003EIf I chose the carrot, it is first because of the thickness of \u2018care\u2019 and \u2018rut.\u2019\u003Cbr\u003EWe can thus believe that a thickness corresponds to something that, if someone cared, would have a sponsor.\u003Cbr\u003EAlso, addressing myself to my hosts, I disclosed to them that I fished to do my Performance: ear nose and cognac.\u003Cbr\u003EThis way to the good life!\u003Cbr\u003EI will stop in the beginning of this leek recipe to taste it.\u003Cbr\u003EAs for the belch, the mouth\u2019s indication of a ecclesiastical burp that, issuing in the belch, annuls the marriage.\u003Cbr\u003EIn this holy climate and with what comes out of the mouth, we enter the discussion without taking a nose dive.\u003Cbr\u003ETo summarize:\u003Cbr\u003ETo remain in the mouth, the cognac that fills in for the leek and for the nose, the ear nose (carrot).\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EFREUD\u2019S GLASS OF COGNAC\u003C\/p\u003E\u003Cp\u003EIn 1984, Freud is 38 years old. He\u2019s married, the father of five children. Other family members live with him. His clientele is far from being established. He has difficulty making ends meet. He\u2019s accumulated some old debts.\u003C\/p\u003E\u003Cp\u003EAt this time, Freud decides to apply his new method for the treatment of neuroses. He risks cutting himself off from his colleagues, isolating himself.\u003C\/p\u003E\u003Cp\u003EFreud suffers from heart problems and this worries him.\u003C\/p\u003E\u003Cp\u003EHe thus turns himself to Doctor Fliess who then states that Freud only suffers from a hypersensitivity to nicotine.\u003C\/p\u003E\u003Cp\u003E\u201c\u003Cem\u003ERegarding my pain, I hope that you\u2019re right in believing that my nose is much of the problem and not my heart. Only a very harsh judge will hold against me the fact that I often think the opposite with this heart rate and inadequacy. I am not in a position to spend 1000 to 1500 guilders (2000 to 3000 francs) on my health or even half this sum, and I am not sufficiently demoralized to accept your proposition of sparing me the expense. Moreover, I think that this is not necessary.\u0026nbsp; If the emphysema (sphenoid sinus, see the letter from April 26, 1895) is the core of the problem, the principal danger is then eliminated and a few more months of discomfort won\u2019t kill me. If, on the other hand, the principal issue is a heart lesion, in this case you can only eliminate the secondary symptoms and I will then see myself facing the danger without warning, which I don\u2019t want.\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003E\u003Cem\u003EIf I can write today, it is because I have high hopes. I have learned from this painful crisis (nasal, not heart), thanks to a dose of cocaine. I can only assure you that I will not come a day or two for a cauterization or a galvanization (here, Freud is talking about a chemical or electric cauterization), but even this is impossible for the moment. What I would ultimately want, is that you accept not wanting to know more about the heart issue.\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003E\u003Cem\u003EI am pleased to now be entitled to expecting lots of news, and much more.\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003E\u003Cem\u003EMy warmest thoughts, your Sigm.\u201d\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003EOur ENT doctor had developed a concept about nasal reflex neurosis.\u003C\/p\u003E\u003Cp\u003EFrom his meeting with Freud, a friendship forms born of the admiration Freud has for the character and listening that Fliess has for our psychoanalyst research. They will even hold conferences together. Let us also note that the two doctors are interested in local dosages of cocaine.\u003C\/p\u003E\u003Cp\u003EAnd then, the relationship between the two men deteriorates. A certain distance establishes itself, most notably with the \u201cEmma episode.\u201d\u003C\/p\u003E\u003Cp\u003EEmma is a patient of Freud\u2019s, being treated for hysteria. She suffers from abdominal pains (words of the stomach).\u003C\/p\u003E\u003Cp\u003EAnd Freud, like in other cases, asks his friend to please examine his patient so as to determine if she has turbinate dysfunction and sinus disease which would be able to partially explain her symptoms.\u003C\/p\u003E\u003Cp\u003EFliess diagnoses some problems and suggests an operation.\u003C\/p\u003E\u003Cp\u003ESo, Fliess will operate.\u003C\/p\u003E\u003Cp\u003EHe operates on the patient and leaves. Only, postoperative complications arise:\u003C\/p\u003E\u003Cp\u003Efoul suppurations, bleeding...\u003C\/p\u003E\u003Cp\u003EFreud, alone, calls another\u0026nbsp; ENT (eyes, nose, throat doctor). However, this one notes that Fliess forgot 50 cm of gauze...\u003C\/p\u003E\u003Cp\u003EUpon removal of the gauze, the sick patient has serious hemorrhaging and loses consciousness. Freud who is helping with the intervention feels sick and has to leave the room. He recovers by drinking a little cognac\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003ELADIES AND GENTLEMEN:\u003C\/p\u003E\u003Cp\u003EFREUD\u2019S GLASS OF COGNAC.\u201d\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:321px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1987_COGN_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002264\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1987_COGN_MASJ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022193\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1987_COGN_MASJ_PHOT_01.jpg\u0022 width=\u0022321\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022321\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022Le verre de Cognac de Freud\u0022, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:333px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1987_COGN_MASJ_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002267\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1987_COGN_MASJ_PHOT_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022200\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1987_COGN_MASJ_PHOT_02.jpg\u0022 width=\u0022500\u0022 height=\u0022333\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022333\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022Le verre de Cognac de Freud\u0022, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:500px;height:344px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/MASJ1987_COGN_MASJ_ILLU_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002269\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/MASJ1987_COGN_MASJ_ILLU_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022206\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/MASJ1987_COGN_MASJ_ILLU_01.jpg\u0022 width=\u0022500\u0022 height=\u0022344\u0022 alt=\u0022\u0022 title=\u0022Jean Mas | photographie de la performance \u0026quot;Le verre de Cognac de Freud\u0026quot;, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022344\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean Mas | photographie de la performance \u0022Le verre de Cognac de Freud\u0022, 1987 | \u00a9 Jean Mas | photographie : \u00a9 DR | courtesy Alain Amiel\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean Mas\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eexperimental space\/artist\u0026#039;s studio\/at home\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECALIBRE 33 is it art ?\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E1987\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E33 avenue de la R\u00e9publique\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecit\u00e9 in Jean Mas, trente ans de Performas, Alain Amiel, 2008, p.52\u003Cbr \/\u003E cit\u00e9 in \u003Cem\u003EPerformas, 40 ans d\u0027art d\u0027attitude\u003C\/em\u003E, Alain Amiel, 2010\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E Texte original dactylographi\u00e9 de Jean Mas \u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3232"}