{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EThe Electronic Mirror\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003E\u003Cem\u003ECopy of the press release\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003EThe Dutch artist Bob Lens is on the initiative of the \u201cBr\u00eame office\u201d \/ \u201cBremen office,\u201d \u003Cem\u003Enetwork\u003C\/em\u003E station that proposes the organization of a trilogy of \u003Cem\u003Eintermedia\u003C\/em\u003E exhibitions happening from February 3, 1995 to June 16, 1995 at the Cornelius Hertz Gallery in Br\u00eame.\u003C\/p\u003E\u003Cp\u003EOn this occasion, the Dutch artist asked Jean-No\u00ebl Laszlo, a mail-art artist, to create a work responding to the first of three themes\u0026nbsp;: the mirror (February 3-March 10, 1995).\u003C\/p\u003E\u003Cp\u003EThe mirror being an object that sends out the same image it receives, Jean-No\u00ebl Laszlo imagined several \u201cpoints of view\u201d for this theme, inviting the audience to interfere with the space and time of the rebound of the image initially sent to the electronic mirror, using a device itself reflecting the exhibition\u2019s opening and closing.\u003C\/p\u003E\u003Cp\u003EOn February 3, 1995 (opening date of the exhibition in Br\u00eame), using four fax machines, two which will be installed in Nice and two in Br\u00eame (rfa), the artist will play with synchronizing the sending of an image to the electronic mirror and the rebound of the last one sent; thus the audience will be able to see firsthand the sending of a document on a fax machine and the reception on a second machine simultaneously.\u003C\/p\u003E\u003Cp\u003EOn March 10, 1995 (closing date of the exhibition in Br\u00eame), Jean-No\u00ebl Laszlo will play on the possibility on intervening between the time of sending and reception of the image to and from the electronic mirror. So as to render the game more complete, the artist will transport himself to Galerie Galea (la Farl\u00e8de).\u003Cbr\u003E \u003Cbr\u003E This demonstration, a part of Fred Forest\u2019s seminar\u0026nbsp;\u201cArt \u2013 nouvelles technologies \u2013 sciences\u201d at the University of Nice \u2013 Sophia Antipolis, well illustrates the fact that our sensitivity is fundamentally shaken by the advent of new technology and information overload. Furthermore, it invites the audience(s) to develop a critical awareness of our environment, which is no longer constrained by spatial limits.\u003C\/p\u003E\u003Cp\u003EThus, Jean-No\u00ebl Laszlo shows us that the art of today does not necessarily manifest itself in tangible pieces of artwork, but as action events of communication systems constantly broadening its audience.\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:329px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/LASZ1995_LEMI_LASZ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022Jean-No\u00ebl Laszlo pendant l\u0026#039;action\u0022 title=\u0022Jean-No\u00ebl Laszlo | photographie de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Jean-No\u00ebl Laszlo pendant l\u0026#039;action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/LASZ1995_LEMI_LASZ_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022197\u0022 alt=\u0022Jean-No\u00ebl Laszlo pendant l\u0026#039;action\u0022 title=\u0022Jean-No\u00ebl Laszlo | photographie de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Jean-No\u00ebl Laszlo pendant l\u0026#039;action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/LASZ1995_LEMI_LASZ_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022329\u0022 alt=\u0022Jean-No\u00ebl Laszlo pendant l\u0026#039;action\u0022 title=\u0022Jean-No\u00ebl Laszlo | photographie de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Jean-No\u00ebl Laszlo pendant l\u0026#039;action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022329\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | photographie de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | Jean-No\u00ebl Laszlo pendant l\u0027action | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EBob Lens\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EBob Lens\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emuseum\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMus\u00e9e d\u0026#039;Art moderne et d\u0026#039;Art contemporain (MAMAC)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E02 03 1995\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EFred Forest\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EBob Lens\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-No\u00ebl Laszlo\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003EPromenade des Arts\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:218px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_01.jpg\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECourrier pr\u00e9paratoire \u00e0 l\u0026#039;action, feuille A4 dactylographi\u00e9e et notes manuscrites\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:218px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_02.jpg\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | Texte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | Texte d\u0027intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ETexte d\u0026#039;intention de Jean-No\u00ebl Laszlo et sch\u00e9ma du dispositif, feuille A4 dactylographi\u00e9e\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:218px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_03.jpg\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_03.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022218\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAffiche de l\u0026#039;\u00e9v\u00e9nement\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:129px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_R.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002243\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_R.jpg\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_R.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEnjeux et programme du s\u00e9minaire organis\u00e9 par Fred forest, recto\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:129px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_V.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002243\u0022 height=\u0022100\u0022 alt=\u0022programme du s\u00e9minaire organis\u00e9 par  Fred forest\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_V.jpg\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022programme du s\u00e9minaire organis\u00e9 par  Fred forest\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_04_V.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022programme du s\u00e9minaire organis\u00e9 par  Fred forest\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022129\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | programme du s\u00e9minaire organis\u00e9 par  Fred forest | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEnjeux et programme du s\u00e9minaire organis\u00e9 par Fred forest, verso\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:212px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002271\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_05.jpg\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/LASZ1995_LEMI_LASZ_DOCI_05.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-No\u00ebl Laszlo | trace de la performance \u0026quot;Le miroir \u00e9l\u00e9ctronique\u0026quot;, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-No\u00ebl Laszlo | trace de la performance \u0022Le miroir \u00e9l\u00e9ctronique\u0022, 1995 | \u00a9 Jean-No\u00ebl Laszlo - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EPlaquette annon\u00e7ant la performance\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3204"}