{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ELo Milhor M\u00f2ceu (The Best Of)\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EDiscussion on the theme, illustrated by the bits chosen in the personal work. The performance ends with a video (see the excerpted image) incarnating the subject, accompanied by this jingle:\u003Cbr\u003EWith me, as with the chicken, the best part is the oyster.\u003Cbr\u003EThe fool leaves it, the fool leaves it,\u003Cbr\u003EAh\u0026nbsp;! the fool just leaves it there.\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EThierry Lagalla\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:399px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/LAGA2002_MILH_LAGA_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002280\u0022 alt=\u0022Image extraite de la vid\u00e9o finale \u0026lt;em\u0026gt;Lo Milhor M\u00f2ceu\u0026lt;\/em\u0026gt;\u0022 title=\u0022Thierry Lagalla | photographie de la performance \u0026quot;Lo Milhor M\u00f2ceu (The Best Of)\u0026quot;, 2002 | Image extraite de la vid\u00e9o finale \u0026lt;em\u0026gt;Lo Milhor M\u00f2ceu\u0026lt;\/em\u0026gt; | \u00a9 Thierry Lagalla | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/LAGA2002_MILH_LAGA_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022239\u0022 alt=\u0022Image extraite de la vid\u00e9o finale \u0026lt;em\u0026gt;Lo Milhor M\u00f2ceu\u0026lt;\/em\u0026gt;\u0022 title=\u0022Thierry Lagalla | photographie de la performance \u0026quot;Lo Milhor M\u00f2ceu (The Best Of)\u0026quot;, 2002 | Image extraite de la vid\u00e9o finale \u0026lt;em\u0026gt;Lo Milhor M\u00f2ceu\u0026lt;\/em\u0026gt; | \u00a9 Thierry Lagalla | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/LAGA2002_MILH_LAGA_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022399\u0022 alt=\u0022Image extraite de la vid\u00e9o finale \u0026lt;em\u0026gt;Lo Milhor M\u00f2ceu\u0026lt;\/em\u0026gt;\u0022 title=\u0022Thierry Lagalla | photographie de la performance \u0026quot;Lo Milhor M\u00f2ceu (The Best Of)\u0026quot;, 2002 | Image extraite de la vid\u00e9o finale \u0026lt;em\u0026gt;Lo Milhor M\u00f2ceu\u0026lt;\/em\u0026gt; | \u00a9 Thierry Lagalla | photographie : \u00a9 DR | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022399\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EThierry Lagalla | photographie de la performance \u0022Lo Milhor M\u00f2ceu (The Best Of)\u0022, 2002 | Image extraite de la vid\u00e9o finale \u003Cem\u003ELo Milhor M\u00f2ceu\u003C\/em\u003E | \u00a9 Thierry Lagalla | photographie : \u00a9 DR | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EThierry Lagalla\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EThierry Lagalla\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EXavier Vaugien\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eexperimental space\/artist\u0026#039;s studio\/at home\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ELes Diables bleus\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E2002\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-structure field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganization\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAssociation BOLEGA-TI TU\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003ECollectif des Diables Bleus\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E26, avenue des Diables Bleus\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003ETheoretical background\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EAbout the idea of the best (piece) and its relation to the absolute, to the work in the work, to glory\u2026\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EThierry Lagalla\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\u003C\/article\u003E","nid":"3196"}