{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EPassage of witnesses\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003E\u003Cem\u003EPassage of Witnesses\u003C\/em\u003E is a double entry and common denominator performance proposition: the witnesses (I, you, he, we, you all, they) pass, the witnesses (as in the metaphoric relay\u0026nbsp; race of the Greek couriers) pass on to I, you, he, we, you all, they...eventually looping endlessly, like a Moebius strip.\u003C\/p\u003E\u003Cp\u003EWe are grappling with the communication of man and space: does architecture speak the same language as man? As all men? The lack of communication or simply of the possibility of communication \u2013 is it not in itself an unconscious mechanism of exclusion? What about landscape design?\u003C\/p\u003E\u003Cp\u003EEdward T. Hall reminds us that there are two ways of structuring space: \u201cthe radioconcentric\u201d which is sociofart and \u201cthe chessboard\u201d which is sociofugal. And he confirms, \u201cIf one goes the wrong direction in the radioconcentric system, the error becomes more and more serious as one moves away from the center. [...] In the chessboard system, the errors are inevitably at 90\u00b0 or 180\u00b0 and are consequently easy to perceive even by those who lack a sense of direction.\u201d*\u003C\/p\u003E\u003Cp\u003EThe site itself is a mechanism, both the urban site (which is accessible) and the architectural site (also accessible). To communicate is to \u201cput in common\u201d and \u201cto be in relation with\u201d according to Oresme. A passage is a door of communication: the place of exchange and transmission. How far does this go?\u003C\/p\u003E\u003Cp\u003E\u003Cem\u003EPassage of Wtinesses\u003C\/em\u003E is a situation created in response to the expressed desire to \u201cput into playforms of exchange and transmission that show the virtues of misunderstandings, of paradoxical injunctions and other incomprehensions.\u201d It is a response at several levels expressing itself in terms of choice:\u003C\/p\u003E\u003Cul\u003E\u003Cli\u003ESign a group work individually\u003C\/li\u003E\u003Cli\u003EHighlight the agility of disability\u003C\/li\u003E\u003Cli\u003ETalk seriously with humor\u003C\/li\u003E\u003Cli\u003EPresent the \u201cD\u201d day as soon as the performance has \u201calready started\u201d\u003C\/li\u003E\u003Cli\u003EProduce elements with several outcomes\/outputs\u003C\/li\u003E\u003Cli\u003EPlay with presence and absence simultaneously, like a double saturation\u003C\/li\u003E\u003Cli\u003EWork together to strengthen the message\u003C\/li\u003E\u003Cli\u003EConsider the \u003Cem\u003Eres non verba \u003C\/em\u003Eas a language\u003C\/li\u003E\u003Cli\u003EAffirm that the site itself is truly the place of paradox (opening and closing, welcoming and keeping at a distance...)\u003C\/li\u003E\u003Cli\u003ECite oblivion, a fruit of the unconscious, as also an act of will\u003C\/li\u003E\u003C\/ul\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThe project developed as follows:\u003C\/p\u003E\u003Cul\u003E\u003Cli\u003EHave two projects: one, individual, the other, collective\u003C\/li\u003E\u003Cli\u003EChoose one of the projects\u003C\/li\u003E\u003Cli\u003EVerify its feasibility\u003C\/li\u003E\u003Cli\u003EForm the team\u003C\/li\u003E\u003Cli\u003EMake a joint proposition\u003C\/li\u003E\u003Cli\u003ECreate a \u201cparadoxical\u201d situation\u003C\/li\u003E\u003C\/ul\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003ECasting:\u003C\/p\u003E\u003Cul\u003E\u003Cli\u003EElie Assouline, actor\u003C\/li\u003E\u003Cli\u003EMichel Naud, cameraman\u003C\/li\u003E\u003Cli\u003EAndy Guignard, sound technician\u003C\/li\u003E\u003Cli\u003EL\u00e9a Assouline, scriptwriter\u003C\/li\u003E\u003Cli\u003ELoup Garcin, assistant director\u003C\/li\u003E\u003Cli\u003EChristophe Mazza, editor\u003C\/li\u003E\u003Cli\u003EMarielle Assouline-Amozig, boom operator\u003C\/li\u003E\u003Cli\u003EOlivier Garcin, director\u003C\/li\u003E\u003Cli\u003EThe group URSS (Ugly and Ridiculous Sweet Sky), the musicians\u003C\/li\u003E\u003C\/ul\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThe action during \u003Cem\u003ENo Comprendo \u003C\/em\u003Ewill consist of:\u003C\/p\u003E\u003Cul\u003E\u003Cli\u003EAn introduction to paradoxical physics, followed by\u003C\/li\u003E\u003Cli\u003EThe projection of a burlesque film, slightly fast forwarded, jerky, mute, accompanied by appropriate music improvised and played live by the group URSS group (\u003Cem\u003EUgly and Ridiculous Sweet Sky\u003C\/em\u003E), followed by\u003C\/li\u003E\u003Cli\u003EA brief lecture. The program is preceded and followed by\u003C\/li\u003E\u003Cli\u003EA stroll through the exhibit and on the performance sites of others.\u003C\/li\u003E\u003C\/ul\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003E* Edward T. Hall, \u003Cem\u003ELa dimension cach\u00e9e \u003C\/em\u003E(\u003Cem\u003EThe Hidden Dimension\u003C\/em\u003E), \u00e9ditions Le Seuil, 1971, page 180.\u003C\/p\u003E\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EOlivier Garcin\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EOlivier Garcin\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EElie Assouline\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMichel Naud\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EAndy Guignard\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item even \u0022\u003EL\u00e9a Assouline\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EChristophe Mazza\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMariellle Assouline-Amozig\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EURSS\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-serie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ESeries\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EDIA\u00a9\u00ae\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EOlivier Garcin\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EVilla Arson\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E05 30 2010\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EOlivier Garcin\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E20, avenue Stephen Li\u00e9geard\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EWebsite\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.villa-arson.org\/index.php?option=com_content\u0026amp;view=article\u0026amp;id=129%3Ano-comprendo\u0026amp;catid=98%3Aservices-des-publics-archives\u0026amp;Itemid=200\u0026amp;lang=fr\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.villa-arson.org\/index.php\u003C\/a\u003E\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003E\u003Ca href=\u0022http:\/\/www.artactgo.com\/films.htm\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.artactgo.com\/films.htm\u003C\/a\u003E\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.artactgo.com\/nouvelles mai2010.doc\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.artactgo.com\/nouvelles%20mai2010.doc\u003C\/a\u003E\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003E\u003Ca href=\u0022http:\/\/www.artactgo.com\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.artactgo.com\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Efilm de l\u0027action\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Esc\u00e9nario\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ed\u00e9coupage technique\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ECahiers d\u2019atelier\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Efeuille de montage\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3102"}