{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EWhat Is Called Going Out?\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EIn the test gallery for students was a platform, a microphone, and an overhead transparency projector. The theme was prepositions of place in the French language. The title was a wink to Heidegger\u2019s work \u003Cem\u003EWhat Is Called Thinking?\u003C\/em\u003E I was especially interested in \u003Cem\u003Eon, in, out\u003C\/em\u003E\u2026To illustrate the history, I had sketched a map of the city of Venice; it resembled two fish, one large and one small, separated by the Great Canal, trying to devour each other. The map of Venice interested me because I was preparing for my installation at the Belgian Pavilion of the biennial that was to take place that year. I must have felt like going out or getting out of it. The other illustrations explained the linguistic theories of space\u2014essentially those of Terry Winograd and Claude Vandeloise\u2014to which everything is opposed. I brought victory to Vandeloise. The sound system was very bad; the gallery wasn\u2019t adapted acoustically, and the back of the room was just a shapeless brouhaha. So I focused on the eyes in the front rows, especially of the students from the Villa who were sitting on the floor. At first, they listened to me like they were following a lecture. It was awkward. After a bit of fooling around and acting out, I think it relaxed a little. A few days later, Ben Vautier, an artist from Nice who had been there, wrote in his newsletter, \u201cIt just like the Belgian, probably originally Flemish, having learned French and wanting to show his linguistic ability in French at all costs but with a nagging conscience of having betrayed Flanders.\u201d I took the opportunity to point out that Li\u00e8ge, where I was born, is Walloon rather than Flemish.\u0026lt;\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003E\u00c9ric Duyckaerts\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00c9ric Duyckaerts\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00c9ric Duyckaerts\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00c9ric Duyckaerts\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EVilla Arson\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E01 09 2007\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E20 avenue Stephen Li\u00e9geard\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Egalerie d\u0026#039;essai des \u00e9tudiants de la Villa Arson\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n\n\n    \t\u003Carticle class=\u0022node-temoignage\u0022\u003E\n  \n\u003Cdiv class=\u0022field-label\u0022\u003ET\u00e9moignage\u003C\/div\u003E\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ER\u00e9cit de la performance.\u003Cbr\u003ER\u00e9alis\u00e9 le 7 mai 2012 \u00e0 10h \u00e0 la Villa Arson.\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/soundcloud.com\/performance-art\/eric-duyckaerts\u0022 rel=\u0022soundcloud\u0022\u003Ehttp:\/\/soundcloud.com\/performance-art\/eric-duyckaerts\u003C\/a\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"3036"}