{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ECatamnesia\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EDescribed as a \u201cdialogue,\u201d the performance took its theme from a song by Jeanne Moreau, \u201cJ\u2019me souviens plus tr\u00e8s bien\u201d (\u2018I don\u2019t remember very well\u2019) and squared it: \u201cJ\u2019me souviens plus tr\u00e8s bien de \u2018J\u2019me souviens plus tr\u00e8s bien\u2019.\u201d The same principle was applied to other monuments of popular or assimilated culture. For example, Joseph would ask \u00c9ric if he remembered the source of a story that begins, \u201cA man wakes up one morning, he gets his coffee as usual\u2014with a croissant or something\u2014but this time he dunks his croissant or whatever into his coffee, takes the first bite, and all of a sudden, \u2018everything comes back to him\u2019; he remembers all these things, even more than he can describe\u2026\u201d And they would discuss the origin of this cultural memory in which the name Marcel kept popping up, probably the name of the author of the story, which obviously didn\u2019t take place at breakfast time, but more likely at snack time. The shared memories were interspersed with farcical demonstrations: notably, the performers chatted or sang in armchairs placed in front of French doors\u2014outside, since the weather happened to be very mild for a December afternoon\u2014and used the glass of the doors like a blackboard on which they wrote their formulas and key words in white marker. \u201cWhat is a dialogue?\u201d the dialoguers would ask at the beginning of their dialogue, and went on enjoying word play with the French language. It is a \u201ccauserie,\u201d a \u201ccause-rie\u201d (\u2018cause to laugh\u2019 or \u2018laughing cause\u2019), so why not a \u201ccause-sourie\u201d (\u2018smiling cause\u2019)? After all, a cause that is its own cause is a \u003Cem\u003Ecausa sui\u003C\/em\u003E\u2014\u201ccausa souRit\u201d without the \u003Cem\u003ER\u003C\/em\u003E.FARIVANK1979_SANS_PERF\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EJoseph Mouton\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n              \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item odd \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003ETalking about my performances with Joseph Mouton only in the context of the Riviera is a bit difficult. It is too much for my memory to try and explicit the outlines, details, and anecdotes of the three performances mentioned here. Concerning the Riviera: Joseph\u0027s presence here was a conclusive element in my decision to move to Nice in 2001. The other good reasons I had elaborated for coming to Nice all fell apart, but not this one: Joseph\u0027s friendship remains essential in my way of trying to look at things. Our first performance, at the Villa Cam\u00e9line, is a distant memory: a very good one. The beautiful winter sun in the garden, comfortable chairs, problems with the sound, laughter, etc. An excellent welcome by C\u00e9dric Teisseire and the whole team of La Station, not to mention the hostess, H\u00e9l\u00e8ne Fincker. It might be worth examining this feeling that Joseph and I had of an immediate understanding. We were both a bit worried for our first performance together. I had never collaborated in this kind of exercise either. Therefore, as we found out later, we had both done much more preparation than we needed to. Today, I can claim that Joseph is a very preparing person. He likes to have a well outlined conduct. As for me, I willingly accept his directions, and I enter them with an educated na\u00efvet\u00e9. As for the songs -- all by Joseph -- and there are always many, I also enter them like a singer both shy and self-assured. Our colleague Christian Bertoux, who knows what he\u0027s talking about, said that our roles were obvious: the whiteface clown and the Auguste. It is true that I am serious and that Joseph has no qualms about playing the fool. But I lack the traditionally authoritarian character of the whiteface clown, whereas the most serious propositions have often come from my friend, including in his songs. A powerful stimulus during these performances was Joseph\u0027s use of the word \u0022we\u0022. \u201cWe feel, Eric and I...\u0022 Generally speaking, I always have to make an effort to accept a \u201cwe\u201d in public reunions. It feels to me like a \u003Cem\u003Ecoup de force\u003C\/em\u003E, a military putsch, something politically unacceptable. Who is the \u003Cem\u003Ewe\u003C\/em\u003E that Joseph elicits when he is working with me? A quoted \u003Cem\u003Ewe\u003C\/em\u003E. With Joseph, and with our jokes, this \u003Cem\u003Ewe\u003C\/em\u003E is what I wish it could always be. The \u003Cem\u003Ewe\u003C\/em\u003E invented by Joseph is now at work in the \u003Cem\u003EStraubismes\u003C\/em\u003E. But that, as Kipling would say, is another story.\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003E\u00c9ric Duyckaerts\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00c9ric Duyckaerts\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EJoseph Mouton\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u00c9ric Duyckaerts\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EJoseph Mouton\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eexperimental space\/artist\u0026#039;s studio\/at home\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMaison abandonn\u00e9e [Villa Cam\u00e9line]\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E12 20 2003\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-structure field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EOrganization\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ELa Station\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E43 avenue Montplaisir\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n\n\n    \t\u003Carticle class=\u0022node-temoignage\u0022\u003E\n  \n\u003Cdiv class=\u0022field-label\u0022\u003ET\u00e9moignage\u003C\/div\u003E\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ER\u00e9cit de la performance.\u003Cbr\u003ER\u00e9alis\u00e9 le 7 mai 2012 \u00e0 15h \u00e0 la Villa Arson.\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/soundcloud.com\/performance-art\/joseph-mouton-eric-duyckaerts\u0022 rel=\u0022soundcloud\u0022\u003Ehttp:\/\/soundcloud.com\/performance-art\/joseph-mouton-eric-duyckaerts\u003C\/a\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:204px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/DUYC2003_CATA_DUYC_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002268\u0022 alt=\u0022\u0022 title=\u0022\u00c9ric Duyckaerts, Joseph Mouton | trace de la performance \u0026quot;Catamn\u00e9sie\u0026quot;, 2003 | \u00a9 Eric Duyckaerts | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/DUYC2003_CATA_DUYC_DOCI_01.jpg\u0022 width=\u0022300\u0022 height=\u0022204\u0022 alt=\u0022\u0022 title=\u0022\u00c9ric Duyckaerts, Joseph Mouton | trace de la performance \u0026quot;Catamn\u00e9sie\u0026quot;, 2003 | \u00a9 Eric Duyckaerts | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/DUYC2003_CATA_DUYC_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022204\u0022 alt=\u0022\u0022 title=\u0022\u00c9ric Duyckaerts, Joseph Mouton | trace de la performance \u0026quot;Catamn\u00e9sie\u0026quot;, 2003 | \u00a9 Eric Duyckaerts | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022204\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003E\u00c9ric Duyckaerts, Joseph Mouton | trace de la performance \u0022Catamn\u00e9sie\u0022, 2003 | \u00a9 Eric Duyckaerts | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description 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