{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EA Plastic Cyclone Notre Dame\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003EThree musical performances [\u003Cem\u003EMesse Notre Dame\u003C\/em\u003E, \u003Cem\u003EPromenade Plastique\u003C\/em\u003E et \u003Cem\u003EUn Cyclone de Papillon\u003C\/em\u003E, editor\u2019s note] \u2013 public installations (the audience contained about 300 people) \/ Three forms of occupying a museum like the MAMAC:\u003C\/p\u003E\u003Cp\u003E- A \u201ccontemporary rereading\u201d concert of the \u003Cem\u003EMesse Notre Dame\u003C\/em\u003E by Guillaume de Machaut (1300-1377) in the auditorium with video-installations to go along with the rereading of the \u003Cem\u003EM\u00e9nines\u003C\/em\u003E of Velasquez by Picasso, then Louis Cane.\u003C\/p\u003E\u003Cp\u003E- Four concert-installations with the plastic device on the first floor in the galleries as a sort of living and ephemeral exhibition.\u003C\/p\u003E\u003Cp\u003E- A geometric form (octagon) on the outside lawn above the Yves Klein place, contextual architectural form making the museum vibrate as a source of culture, organized with exterior and random conditions linked to urban traffic noises. [Performance entitled \u003Cem\u003EUn Cyclone de Papillon\u003C\/em\u003E, eight musicians were set up on the interior octagonal lawn of the MAMAC under which is a road. Each musician took over one of the lawn\u2019s eight sides and played. The museum\u2019s architecture made for a wonderful sound chamber.]\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EJean-Michel Bossini\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-Michel Bossini\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003ERaoul H\u00e9br\u00e9ard\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-Michel Bossini\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003E2746 apr\u00e8s Rome\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMichel Redolfi\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emuseum\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMus\u00e9e d\u0026#039;Art moderne et d\u0026#039;Art contemporain (MAMAC)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E11 13 1993\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMichel Redolfi\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003EPromenade des Arts\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n          \u003Csection class=\u0022field field-name-field-contexte-theorique field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003ETheoretical background\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003E\u003Cp\u003E\u003Cem\u003EMesse de Notre Dame\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003EBy and according to Guillaume de Machaut.\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EThrusting a work of art into the relativity of time.\u003C\/p\u003E\u003Cp\u003EThis is not an instrumentalist\u2019s interpretation, but rather a composer\u2019s, which is where the term \u201c\u003Cem\u003Electure arch\u00e9ologique\u003C\/em\u003E\u201d comes from.\u003C\/p\u003E\u003Cp\u003ETo show, by an open and contemporary sensibility, how a work inherited from scholarly polyphonic writings from the beginning of our millennium and nourished by popular and historical elements from the following centuries can still surprisingly flourish at the end of the 20th century.\u003C\/p\u003E\u003Cp\u003EThe transgression committed by Machaut, a composer disrespectful towards tradition, in the words of his contemporaries, can still be respected.\u003C\/p\u003E\u003Cp\u003EThe disrespect of tradition becomes the respect of transgression.\u003C\/p\u003E\u003Cp\u003EA work of this scope possesses a certain modernity such that it calls for an open mind, intersecting with rock music, geographical and historical world music, even the integration of various disparate elements in writing.\u003C\/p\u003E\u003Cp\u003EThe term \u201c\u003Cem\u003Electure arch\u00e9ologique\u201d\u003C\/em\u003E brings to mind ancient pottery, locally reconstituted using modern materials.\u003C\/p\u003E\u003Cp\u003EAbove all, this work has provoked in me a great desire to play with it in this way.\u003C\/p\u003E\u003Cp\u003EThe writing profoundly shook me and this vision has exceeded the normal use of this term.\u003C\/p\u003E\u003Cp\u003EFor me, it has such potential that one could go from the 14th to the 20th century through a big black hole, absorbing everything on the way, memory and creation intimately welded, leaving behind the Judeo-Christian notion that it implied and taking up in its stead a liberation\u0026nbsp; of religious history and of a situation changed at the end of our millennium.\u003C\/p\u003E\u003Cp\u003EMachaut\u2019s thinking, beyond notes and rhythms, implies a true alchemical and timeless transcendence accepting the transformation of material to be taken elsewhere.\u003C\/p\u003E\u003Cp\u003EWould we be reticent to take this journey?\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003E\u003Cem\u003E2746 After Rome\u003C\/em\u003E\u003C\/p\u003E\u003Cp\u003E\u0026nbsp;\u003C\/p\u003E\u003Cp\u003EOdyssey of a fractal\u003Cem\u003E rock\u003C\/em\u003E or how seven musicians would be grouped under the sign of a Mediterranean culture turned towards historical and geographical internationality, developing the composition in real time by means of intuitive quantum operations, revealing musical forms that are conceptual and primitive, technologically advanced and archaic, all at the same time, reactivating \u003Cem\u003Erock\u003C\/em\u003E thought in intersecting the idea of an imaginary folklore and the practice of artistic, scientific, and human interdisciplinarity.\u003C\/p\u003E\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EJean-Michel Bossini\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eprogramme complet de MANCA\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Edossier de presse MANCA\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Etexte de pr\u00e9sentation carton d\u0026#039;invitation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EManuscrit\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Epartitions de Jean-Michel Bossini\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2962"}