{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EWrath\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EIn a live performance Arman destroyed a chair and a Louis XIII chest of drawers and stuck the debris on a wood panel, exactly where they fell.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:366px;height:500px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/arma1961_cole_arma_phot_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002273\u0022 height=\u0022100\u0022 alt=\u0022Arman | Arman posant avec le r\u00e9sultat de sa col\u00e8re \u0026quot;Col\u00e8re\u0026quot;, 1961 | \u00a9 Arman - ADAGP, Paris 2012 | photographie : \u00a9 DR\u0022 title=\u0022Arman | Arman posant avec le r\u00e9sultat de sa col\u00e8re \u0026quot;Col\u00e8re\u0026quot;, 1961 | \u00a9 Arman - ADAGP, Paris 2012 | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/arma1961_cole_arma_phot_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022220\u0022 height=\u0022300\u0022 alt=\u0022Arman | Arman posant avec le r\u00e9sultat de sa col\u00e8re \u0026quot;Col\u00e8re\u0026quot;, 1961 | \u00a9 Arman - ADAGP, Paris 2012 | photographie : \u00a9 DR\u0022 title=\u0022Arman | Arman posant avec le r\u00e9sultat de sa col\u00e8re \u0026quot;Col\u00e8re\u0026quot;, 1961 | \u00a9 Arman - ADAGP, Paris 2012 | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/arma1961_cole_arma_phot_01.jpg\u0022 width=\u0022366\u0022 height=\u0022500\u0022 alt=\u0022Arman | Arman posant avec le r\u00e9sultat de sa col\u00e8re \u0026quot;Col\u00e8re\u0026quot;, 1961 | \u00a9 Arman - ADAGP, Paris 2012 | photographie : \u00a9 DR\u0022 title=\u0022Arman | Arman posant avec le r\u00e9sultat de sa col\u00e8re \u0026quot;Col\u00e8re\u0026quot;, 1961 | \u00a9 Arman - ADAGP, Paris 2012 | photographie : \u00a9 DR\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022366\u0022 height=\u0022500\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EArman | Arman posant avec le r\u00e9sultat de sa col\u00e8re \u0022Col\u00e8re\u0022, 1961 | \u00a9 Arman - ADAGP, Paris 2012 | photographie : \u00a9 DR\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EArman\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EArman\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ehistorical space\/place of worship\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAbbaye de Roseland\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E07 13 1961\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E44, boulevard Napol\u00e9on III\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Ejardin\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-contexte field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBackground\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eduring the Avant-Garde Festival, an evening organized as a complement to the exhibition \u003Cem\u003ENew Realists\u003C\/em\u003E at the Muratore gallery.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\u003C\/article\u003E  \n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003Ecit\u00e9 in RESTANY Pierre, \u003Cem\u003ELes Nouveaux R\u00e9alistes, 9 juillet- 26 septembre 1982\u003C\/em\u003E, GAC et Galerie des Ponchettes, Nice, Direction des Mus\u00e9es de Nice pp. 44-47\u003C\/p\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2826"}