{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003Euntitled\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EThis performance is part of Eric Andr\u00e9atta\u2019s work with whiting chalk powder. On the stage of the MAMAC auditorium, six glazed stretchers measuring about 80 by 170 cm were placed vertically on stands. An architect\u0027s ruler was placed at the top of the stretchers. A veil made of a folded, thick, opaque pink fabric was attached between the ruler and the stretchers. Six of Eric Andr\u00e9atta\u2019s friends, of various non-artistic professions, came onstage. Each one of them whitewashed the stretcher behind which he was standing with the chalk powder, until he completely disappeared.\u003Cbr \/\u003EMeanwhile, Claude Fa\u00efm, a psychiatrist and poet, who was hiding behind the curtain, read aloud a text with no catch [a text which doesn\u0027t provoke a mental image when read or listened to, Editors note]. When the last word was uttered, Eric Andr\u00e9atta who was watching the action from the technical room, switched off the electricity in the auditorium.\u003Cbr \/\u003EIn the dark the six protagonists knocked down the ruler, which scratched the whiting as it fell, creating a giant bar code. The fabric was also pulled down. The light was turned back on, the sight concealed for good from the audience by the pink veil. The performance had been programmed at a specific time. Eric Andr\u00e9atta had arranged for the ushers to separate people arriving together at the entrance of the auditorium, and to place them next to strangers.\u003Cbr \/\u003E\u003Cbr \/\u003EPartial transcript of a telephone conversation with Eric Andr\u00e9atta, 2012.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEric Andr\u00e9atta\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EEric Andr\u00e9atta\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003EClaude Fa\u00efn\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Emuseum\/fondation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EMus\u00e9e d\u0026#039;Art moderne et d\u0026#039;Art contemporain (MAMAC)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E2000\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003EPromenade des Arts\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Eauditorium\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\n\u003Cdiv class=\u0022embedded-video\u0022\u003E\n  \u003Cdiv class=\u0022player\u0022\u003E\n    \u003Ciframe class=\u0022\u0022 id=\u0022vimeo-55600689\u0022 width=\u0022550px\u0022 height=\u0022360px\u0022 src=\u0022\/\/player.vimeo.com\/video\/55600689?width=550px\u0026amp;height=360px\u0026amp;color=00adef\u0026amp;portrait=1\u0026amp;title=1\u0026amp;byline=1\u0026amp;autoplay=0\u0026amp;loop=0\u0026amp;player_id=vimeo-55600689\u0022 frameborder=\u00220\u0022 webkitAllowFullScreen mozallowfullscreen allowfullscreen\u003E\u003C\/iframe\u003E  \u003C\/div\u003E\n\u003C\/div\u003E\n\u003C\/div\u003E\n        \n\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ECapture vid\u00e9o d\u0027une performance d\u0027\u00c9ric Andr\u00e9atta au Mus\u00e9e d\u0027Art Moderne et d\u0027Art Contemporain (MAMAC) de Nice.\u003Cbr\u003E\u00a9 \u00c9ric Andr\u00e9atta\u003Cbr\u003E R\u00e9alis\u00e9e par Muriel Anssens.\u003Cbr\u003E Courtesy Mus\u00e9e d\u0027Art Moderne et d\u0027Art Contemporain (MAMAC).\u003Cbr\u003E Num\u00e9risation r\u00e9alis\u00e9e par la Villa Arson, Nice\u003C\/p\u003E\u003Ch3 class=\u0022r\u0022\u003E\u003Ca href=\u0022http:\/\/www.copyrightfrance.com\/\u0022\u003E\u00a9\u003C\/a\u003E\u003C\/h3\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-temoignage\u0022\u003E\n  \n\u003Cdiv class=\u0022field-label\u0022\u003ET\u00e9moignage\u003C\/div\u003E\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cp\u003ER\u00e9cit d\u0027une performance.\u003Cbr\u003ER\u00e9alis\u00e9 le 26 avril 2012 \u00e0 11h \u00e0 la Villa Arson.\u003C\/p\u003E\u003C\/div\u003E\n        \n\n  \n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/soundcloud.com\/performance-art\/eric-andreatta\u0022 rel=\u0022soundcloud\u0022\u003Ehttp:\/\/soundcloud.com\/performance-art\/eric-andreatta\u003C\/a\u003E\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2819"}