{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003ENobody Needs French Theory\u003C\/h1\u003E\n\n  \n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EAn eighty-square-meter apartment. Let\u2019s say at least eighty people passing here and there. So here we are, in the apartment. What is there to see besides the people themselves? Anyway, as with each opening, it\u2019s what one comes to see, the others, and oneself in the middle of the others. \u201cNothing left to see.\u201d And yet we don\u2019t hear that often; instead, it\u2019s \u201cNothing left to drink\u201d at these \u201cprivate drinkings.\u201d Oops, we\u2019ve gone off topic. We had to reverse the Klein and jump into the void. Jump from outside. From outside to inside. But that was before the public arrived. 1 \/ Klein, we\u2019ll say. An empty room filled only with my image.\u003Cbr \/\u003E\u003Cbr \/\u003ELet\u2019s start again: the public arrives to see themselves as something (or to drink themselves to something, but we digress again (or maybe even to think themselves something, but now we\u2019re even further off the topic (\u201cNothing left to believe\u201d))). So let\u2019s go back to the beginning, let\u2019s say to early childhood. Yes, younger than Alice, even before that. We are there in front of the mirror, and we are using that image to unite our bodies and finally say \u201cI.\u201d Except that in this game, the \u201cI\u201d has no purpose; it has no purpose if it doesn\u2019t negate anything. Why say \u201cI\u201d if there is no one to oppose it? So I invite, the artist invites, we invite, they invite themselves, young dancers, the how we used to be but really not at all, Tecktonik dancers, into their bubble, into their music, into their iPods. Of course, they dance, facing the mirrors. We might say, they unite their bodies but it\u2019s not enough. The others, we, I, they, we see as gangling and lanky, uniting their bodies perhaps, but one limb at a time. And then there\u2019s no music, it\u2019s in their head, just the sound of the moving bodies, and then, louder and louder, the conversations of the exhibit opening. In fact it\u2019s really my watching body that they unite. I don\u2019t know what we\u2019re watching anymore\u2014I, you, they. We watch ourselves watch. The dancers watch themselves dance.\u003Cbr \/\u003E\u003Cbr \/\u003EI remember the other who wrote, \u201cWatch me, that\u2019s enough!\u201d Why not, \u201cWatch me watching, that\u2019s enough!\u201d Pff, more logorrhea. And maybe it\u2019s not enough. My apologies. It brings out my verbosity.\u003Cbr \/\u003E\u003Cbr \/\u003EI was forgetting: Nobody needs French theory *.\u003Cbr \/\u003E\u003Cbr \/\u003EMight there be something left to see think drink? \u003Cbr \/\u003E\u003Cbr \/\u003E* In English in the original text\u003Cbr \/\u003E\u003Cbr \/\u003E[The exhibit \u003Cem\u003ENobody needs French theory\u003C\/em\u003E lasted one evening. In the largest room, there were six meters of mirrors hung a little below eye level. In the kitchen, a legal announcement from the Brazilian region of Paran\u00e1 read in Portuguese: \u201cBebida alco\u00f3lica \u00e9 prejudicial \u00e0 sa\u00f9de, \u00e0 fam\u00eclia e \u00e0 sociedade (\u2018Drinking alcohol is harmful to health, family, and society\u2019).\u201d In the bathroom, a lipstick message on the mirror asked in Italian, \u201cE tu, cosa fai? (\u2018And what are you doing?\u2019).\u201d Outside, facing the main window, graffiti read in English, \u201cThe Revolution will not be televised.\u201d During the opening, the Team ELECTRASH took turns dancing for three hours in the middle of the guests.]\u003C\/article\u003E\u003Caddress rel=\u0022author\u0022\u003EJean-Baptiste Ganne\u003C\/address\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJean-Baptiste Ganne\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ETeam Electrash\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003ETeam Electrash\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJ\u00e9r\u00e9mie Strauch\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Eexperimental space\/artist\u0026#039;s studio\/at home\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ela Maison, galerie singuli\u00e8re\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E11 09 2007\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-organisateur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EProducer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EJ\u00e9r\u00e9mie Strauch\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E5 rue Offenbach\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-site-internet field-type-link-field field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EWebsite\u0026nbsp;\u003C\/div\u003E\n  \t  \t\u003Cdiv class=\u0022field-items\u0022\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.documentsdartistes.org\/artistes\/ganne\/page1.html\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.documentsdartistes.org\/artistes\/ganne\/page1.html\u003C\/a\u003E\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item odd \u0022\u003E\u003Ca href=\u0022http:\/\/galeriesinguliere.com\/jeanbaptisteganne.html\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/galeriesinguliere.com\/jeanbaptisteganne.html\u003C\/a\u003E\u003C\/div\u003E\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Ca href=\u0022http:\/\/www.youtube.com\/watch?v=Ngfqt6DCYRE\u0022 target=\u0022_blank\u0022\u003Ehttp:\/\/www.youtube.com\/watch\u003C\/a\u003E\u003C\/div\u003E\n        \n\n    \t  \t\u003C\/div\u003E\n  \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EUn film de 5 minutes avec un plan s\u00e9quence de 5 minutes et d\u00e9filement du texte de description de cette action\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document-video\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments Vid\u00e9os\u003C\/div\u003E\n\n  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Erush de l\u0027action\u003C\/div\u003E\n        \n\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:220px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002273\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_01.jpg\u0022 width=\u0022300\u0022 height=\u0022220\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022220\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022220\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-Baptiste Ganne | trace de la performance \u0022Nobody Needs French Theory\u0022, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EUn carton d\u0026#039;invitation tir\u00e9 \u00e0 une dizaine d\u2019exemplaires inspir\u00e9 de l\u2019imagerie SPAM (tendance Automne \/ Hiver 2006)\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:212px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_02_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002271\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_02_01.jpg\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_02_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-Baptiste Ganne | trace de la performance \u0022Nobody Needs French Theory\u0022, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E      \u003Cfigure style=\u0022width:212px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_02_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002271\u0022 height=\u0022100\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_02_02.jpg\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/GANN2007_NOBO_GANN_DOCI_02_02.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022Jean-Baptiste Ganne | trace de la performance \u0026quot;Nobody Needs French Theory\u0026quot;, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0026#039;artiste\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022212\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EJean-Baptiste Ganne | trace de la performance \u0022Nobody Needs French Theory\u0022, 2007 | \u00a9 Jean-Baptiste Ganne - ADAGP, Paris 2012 | courtesy de l\u0027artiste\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EUne invitation par courriel sous forme de SPAM utilisant l\u2019image du carton cit\u00e9 ci-dessus et le texte d\u2019un SPAM en anglais (donc g\u00e9n\u00e9r\u00e9 par un robot) faisant allusion \u00e0 une topographie volcanique, \u00e0 Marx et Engels, \u00e0 l\u2019anarchiste espagnol Francisco Sabate, et s\u2019achevant par la phrase suivante : \u00ab Nobody needs French theory \u00bb.\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\n    \t\u003Carticle class=\u0022node-objet\u0022\u003E\n  \u003Cdiv class=\u0022field-label\u0022\u003EObjets\u003C\/div\u003E\u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2764"}