{"node_view":"\u003Carticle class=\u0022node\u0022\u003E\n  \u003Ch1 class=\u0022node-title\u0022\u003EGreat fire at will\u003C\/h1\u003E\n\n  \n\n          \u003Csection class=\u0022field field-name-field-description field-type-textauthor field-label-above\u0022\u003E\n    \t\u003Cdiv class=\u0022field-label\u0022\u003EDescription\u0026nbsp;\u003C\/div\u003E\n        \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Carticle class=\u0022filtred_html\u0022\u003EAt 0:15, Niki de Saint Phalle begins surprise shootings with a rifle on a target panel containing glass \u003Cbr \/\u003E\u003Cbr \/\u003Eobjects, bags of colour and smoke bombs. She then invites the audience to do the same. \u0022In 1961, Niki \u003Cbr \/\u003E\u003Cbr \/\u003Edevelops her \u003Cem\u003ETableaux surprises\u003C\/em\u003E (\u003Cem\u003ESurprise paintings\u003C\/em\u003E), plaster panels with an irregularly swollen surface \u003Cbr \/\u003E\u003Cbr \/\u003Ewithin which are embedded pockets, bags and tubes of coloured fluids. The viewer is offered a rifle, and is \u003Cbr \/\u003E\u003Cbr \/\u003Easked to shoot wherever he wants, at any point of these raised patterns that are the targets [...]. These \u003Cbr \/\u003E\u003Cbr \/\u003Elinear flows immediately evoke the splashes that are characteristic  \u003Cem\u003Eaction-painting\u003C\/em\u003E features. From \u003Cem\u003Edripping\u003C\/em\u003E \u003Cbr \/\u003E\u003Cbr \/\u003Eto revolver: Niki\u2019s gesture was the most definitive satire, the most irrevocable parody of the American style \u003Cbr \/\u003E\u003Cbr \/\u003E[...] a further witnessing of the \u0022death of art\u0022.\u003C\/article\u003E\u003C\/div\u003E\n        \u003C\/section\u003E\n      \n      \u003Cfigure style=\u0022width:500px;height:332px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-performance\/SAIN1961_GFEU_SOSN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002266\u0022 alt=\u0022Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine\u0022 title=\u0022Niki de Saint Phalle | photographie de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-performance\/SAIN1961_GFEU_SOSN_PHOT_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022199\u0022 alt=\u0022Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine\u0022 title=\u0022Niki de Saint Phalle | photographie de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-performance\/SAIN1961_GFEU_SOSN_PHOT_01.jpg\u0022 width=\u0022500\u0022 height=\u0022332\u0022 alt=\u0022Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine\u0022 title=\u0022Niki de Saint Phalle | photographie de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022500\u0022 height=\u0022332\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENiki de Saint Phalle | photographie de la performance \u0022Grand feu \u00e0 volont\u00e9\u0022, 1961 | Matial Raysse \u00e0 gauche, Raymond Hains avec la carabine | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | photographie : \u00a9 DR | courtesy Sacha Sosno\u003C\/figcaption\u003E\u003C\/figure\u003E  \n    \u003Csection class=\u0022field field-name-field-concepteur field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ECreator\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENiki de Saint Phalle\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-executant field-type-taxonomy-term-reference field-label-above field-personne\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPerformer\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003ENiki de Saint Phalle\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-effectuation\u0022\u003E\n  \u003Ch1 class=\u0022effectuation-title\u0022\u003E\u003C\/h1\u003E\n\n  \n    \u003Csection class=\u0022field field-name-field-topologie field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETopology\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ehistorical space\/place of worship\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-lieu field-type-taxonomy-term-reference field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EPlaces\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAbbaye de Roseland\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-date-de-debut field-type-text field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EStarting date\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E07 13 1961\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-address field-type-addressfield field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EAdress\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003E\u003Cdiv class=\u0022street-block\u0022\u003E\u003Cdiv class=\u0022thoroughfare\u0022\u003E44, boulevard Napol\u00e9on III\u003C\/div\u003E\u003Cdiv class=\u0022premise\u0022\u003Ejardin\u003C\/div\u003E\u003C\/div\u003E\u003Cdiv class=\u0022addressfield-container-inline locality-block country-FR\u0022\u003E\u003Cspan class=\u0022locality\u0022\u003ENice\u003C\/span\u003E\u003C\/div\u003E\u003Cspan class=\u0022country\u0022\u003EFrance\u003C\/span\u003E\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n\u003C\/article\u003E  \n\n    \u003Csection class=\u0022field field-name-field-sources-bibliographiques field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EBibliographical sources\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecit\u00e9 in catalogue \u003Cem\u003ELes Nouveaux R\u00e9alistes\u003C\/em\u003E, Pierre Restany, 9 juillet - 26 septembre 1982, GAC et Galerie des Ponchettes, Nice, Direction des Mus\u00e9es de Nice, p. 47\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:300px;height:104px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/SAIN1961_GFEU_XXXX_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022100\u0022 height=\u002235\u0022 alt=\u0022\u0022 title=\u0022Niki de Saint Phalle | trace de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/SAIN1961_GFEU_XXXX_DOCI_01.jpg\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022Niki de Saint Phalle | trace de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/SAIN1961_GFEU_XXXX_DOCI_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022Niki de Saint Phalle | trace de la performance \u0026quot;Grand feu \u00e0 volont\u00e9\u0026quot;, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022300\u0022 height=\u0022104\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003ENiki de Saint Phalle | trace de la performance \u0022Grand feu \u00e0 volont\u00e9\u0022, 1961 | \u00a9 Niki de Saint Phalle - ADAGP, Paris 2012 | courtesy Sacha Sosno\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n\n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003Ecarton d\u0026#039;invitation\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E    \t\u003Carticle class=\u0022node-document\u0022\u003E\n  \n      \u003Cfigure style=\u0022width:199px;height:300px;\u0022\u003E\u003Cimg class=\u0022image grid_small\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_small\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u002266\u0022 height=\u0022100\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022image grid_medium\u0022 src=\u0022\/sites\/default\/files\/styles\/grid_medium\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022image grid_large\u0022 path=\u0022\/sites\/default\/files\/styles\/grid_large\/public\/images-documents\/avga1961_1307_doci_klei_doci_01.jpg\u0022 src=\u0022http:\/\/dev.performance-art.fr\/\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 title=\u0022Affiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u0022 \/\u003E\u003Cimg class=\u0022blank\u0022 src=\u0022\/sites\/all\/themes\/gui\/perfarttimeline\/images\/blank.gif\u0022 width=\u0022199\u0022 height=\u0022300\u0022 alt=\u0022\u0022 title=\u0022\u0022 \/\u003E\u003Cfigcaption\u003EAffiche sign\u00e9e du \u0022Festival du Nouveau R\u00e9alisme\u0022 \u00e0 la Galerie Muratore et \u00e0 l\u0027Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961 | \u00a9 Archives Yves Klein | courtesy Archives Yves Klein\u003C\/figcaption\u003E\u003C\/figure\u003E  \u003Cdiv class=\u0022field-label\u0022\u003EDocuments\u003C\/div\u003E\n    \u003Csection class=\u0022field field-name-field-type field-type-list-text field-label-inline clearfix\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003EType\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EImprim\u00e9\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \n    \u003Csection class=\u0022field field-name-field-technique-description field-type-text-long field-label-above\u0022\u003E\n  \t\u003Cdiv class=\u0022field-label\u0022\u003ETechnique description r\u00e9f\u00e9rence\u0026nbsp;\u003C\/div\u003E\n  \t  \n\n              \u003Cdiv class=\u0022field-item even \u0022\u003EAffiche sign\u00e9e du \u0026quot;Festival du Nouveau R\u00e9alisme\u0026quot; \u00e0 la Galerie Muratore et \u00e0 l\u0026#039;Abbaye de Roseland reproduisant une \u0153uvre de Yves Klein, 1961\u003C\/div\u003E\n        \n\n    \t  \u003C\/section\u003E\n  \u003C\/article\u003E  \n\u003C\/article\u003E","nid":"2755"}