'' Limites III | A history of performance art on the Riviera from 1951 until now

Limites III

Creator: 
Raoul Hébréard
Dominique Angel
Performer: 
Raoul Hébréard
Dominique Angel
Josée Sicard
Éric Watier
Occurence: 
Places: 
MJC Gorbella
Starting date: 
1982
40 minutes
Topology: 
cultural complex/sports complex
Background: 
During the Premières Rencontres Performances (‘First Encounter Performances’) of the MJC Gorbella, June 14-20, 1982.
Producer: 
Serge III
Adress: 
boulevard du Comte de Falicon
Nice
France
Documents: 

textes de la lecture de Dominique Angel

Type: 
Imprimé
Technique description référence: 
textes de la lecture de Dominique Angel

Déroulé / fiche technique des <em>Premières Rencontres Performances</em> de la MJC Gorbella rédigé par Serge III

Type: 
Imprimé
Technique description référence: 
Déroulé / fiche technique des <em>Premières Rencontres Performances</em> de la MJC Gorbella rédigé par Serge III
DUCORR

Invitation des <em>Premières Rencontres Performances</em> de la MJC Gorbella rédigée par Serge III

Type: 
Imprimé
Technique description référence: 
Invitation des <em>Premières Rencontres Performances</em> de la MJC Gorbella rédigée par Serge III
DUCORR

dessins préparatoires

Type: 
Manuscrit
Technique description référence: 
dessins préparatoires
Témoignage: 
Raoul Hébréard | Limites III, 1982
Description: 
An installation on stage of various elements (stones, soup tureens, perpends, small TV monitors) occupying the entire space. In the middle is a rectangle of black nylon and to the side a table covered in Calandrite (tarred canvas) and two chairs; behind the table is a projection screen showing slides of different images of the city, an audio cassette player, and a speaker. The performance consisted of burying myself under all of the objects on stage while Dominique Angel and Josée Sicard read and recorded a text written by Dominique. When both the burying and the reading were finished, I found myself buried in front of the audience. My partners rewound the text, left the screen blank (with only the light of the projector), and played the recording. The sound was all the way up and completely distorted. On stage, there was simply a person under a pile of objects, lit by the weak natural lighting and the white screen.
''